"What a nice thing to say! I adore you when you say things like that."
Christopher continued: "You see, the man is interested in the woman's works of art simply because they are hers; just as he is interested in the rustle of her silk petticoat simply because it is hers. Possibly he is more interested in the latter, because men can paint pictures sometimes, and they can never rustle silk petticoats properly. You are right in thinking that the world adores you for the sake of your creations, while I adore your creations for the sake of you; but you must also remember that the world would cease to worship you if your genius began to decline, while I should love you just the same if you took to painting sign-posts and illustrating Christmas cards—even if you became an impressionist."
"What a dear boy you are! You really are the greatest comfort to me. I didn't always feel like this, but now you satisfy me completely, and fill up every crevice of my soul. There isn't a little space anywhere in my mind or heart or spirit that isn't simply bursting with you." And Elisabeth laughed a low laugh of perfect contentment.
"My darling, how I love you!" And Christopher also was content.
Then there was another silence, which Christopher broke at last by saying—
"What is the matter, Betty?"
"There isn't anything the matter. How should there be?"
"Oh, yes, there is. Do you think I have studied your face for over thirty years, my dear, without knowing every shade of difference in its expression? Have I said anything to vex you?"
"No, no; how could I be vexed with you, Chris, when you are so good to me? I am horrid enough, goodness knows, but not horrid enough for that."
"Then what is it? Tell me, dear, and see if I can't help?"