CASE I
THE DEATH BOGLE OF THE CROSS ROADS, AND THE INEXTINGUISHABLE CANDLE OF THE OLD WHITE HOUSE, PITLOCHRY[ToC]
Several years ago, bent on revisiting Perthshire, a locality which had great attractions for me as a boy, I answered an advertisement in a popular ladies' weekly. As far as I can recollect, it was somewhat to this effect: "Comfortable home offered to a gentleman (a bachelor) at moderate terms in an elderly Highland lady's house at Pitlochry. Must be a strict teetotaller and non-smoker. F.M., Box so-and-so."
The naïveté and originality of the advertisement pleased me. The idea of obtaining as a boarder a young man combining such virtues as abstinence from alcohol and tobacco amused me vastly. And then a bachelor, too! Did she mean to make love to him herself? The sly old thing! She took care to insert the epithet "elderly," in order to avoid suspicion; and there was no doubt about it—she thirsted for matrimony. Being "tabooed" by all the men who had even as much as caught a passing glimpse of her, this was her last resource—she would entrap some unwary stranger, a man with money of course, and inveigle him into marrying her. And there rose up before me visions of a tall, angular, forty-year-old Scottish spinster, with high cheek-bones, virulent, sandy hair, and brawny arms—the sort of woman that ought not to have been a woman at all—the sort that sets all my teeth on edge. Yet it was Pitlochry, heavenly Pitlochry, and there was no one else advertising in that town. That I should suit her in every respect but the matrimonial, I did not doubt. I can pass muster in any company as a teetotaller; I abominate tobacco (leastways it abominates me, which amounts to much about the same thing), and I am, or rather I can be, tolerably amenable, if my surroundings are not positively infernal, and there are no County Council children within shooting distance.
But for once my instincts were all wrong. The advertiser—a Miss Flora Macdonald of "Donald Murray House"—did not resemble my preconception of her in any respect. She was of medium height, and dainty build—a fairy-like creature clad in rustling silks, with wavy, white hair, bright, blue eyes, straight, delicate features, and hands, the shape and slenderness of which at once pronounced her a psychic. She greeted me with all the stately courtesy of the Old School; my portmanteau was taken upstairs by a solemn-eyed lad in the Macdonald tartan; and the tea bell rang me down to a most appetising repast of strawberries and cream, scones, and delicious buttered toast. I fell in love with my hostess—it would be sheer sacrilege to designate such a divine creature by the vulgar term of "landlady"—at once. When one's impressions of a place are at first exalted, they are often, later on, apt to become equally abased. In this case, however, it was otherwise. My appreciation both of Miss Flora Macdonald and of her house daily increased. The food was all that could be desired, and my bedroom, sweet with the perfume of jasmine and roses, presented such a picture of dainty cleanliness, as awakened in me feelings of shame, that it should be defiled by all my dusty, travel-worn accoutrements. I flatter myself that Miss Macdonald liked me also. That she did not regard me altogether as one of the common herd was doubtless, in some degree, due to the fact that she was a Jacobite; and in a discussion on the associations of her romantic namesake, "Flora Macdonald," with Perthshire, it leaked out that our respective ancestors had commanded battalions in Louis XIV.'s far-famed Scottish and Irish Brigades. That discovery bridged gulfs. We were no longer payer and paid—we were friends—friends for life.
A lump comes into my throat as I pen these words, for it is only a short time since I heard of her death.
A week or so after I had settled in her home, I took, at her suggestion, a rest (and, I quite agree with her, it was a very necessary rest) from my writing, and spent the day on Loch Tay, leaving again for "Donald Murray House" at seven o'clock in the evening. It was a brilliant, moonlight night. Not a cloud in the sky, and the landscape stood out almost as clearly as in the daytime. I cycled, and after a hard but thoroughly enjoyable spell of pedalling, eventually came to a standstill on the high road, a mile or two from the first lights of Pitlochry. I halted, not through fatigue, for I was almost as fresh as when I started, but because I was entranced with the delightful atmosphere, and wanted to draw in a few really deep draughts of it before turning into bed. My halting-place was on a triangular plot of grass at the junction of four roads. I propped my machine against a hedge, and stood with my back leaning against a sign-post, and my face in the direction whence I had come. I remained in this attitude for some minutes, probably ten, and was about to remount my bicycle, when I suddenly became icy cold, and a frightful, hideous terror seized and gripped me so hard, that the machine, slipping from my palsied hands, fell to the ground with a crash. The next instant something—for the life of me I knew not what, its outline was so blurred and indefinite—alighted on the open space in front of me with a soft thud, and remained standing as bolt upright as a cylindrical pillar. From afar off, there then came the low rumble of wheels, which momentarily grew in intensity, until there thundered into view a waggon, weighed down beneath a monstrous stack of hay, on the top of which sat a man in a wide-brimmed straw hat, engaged in a deep confabulation with a boy in corduroys who sprawled beside him. The horse, catching sight of the motionless "thing" opposite me, at once stood still and snorted violently. The man cried out, "Hey! hey! What's the matter with ye, beast?" And then in an hysterical kind of screech, "Great God! What's yon figure that I see? What's yon figure, Tammas?"
The boy immediately raised himself into a kneeling position, and, clutching hold of the man's arm, screamed, "I dinna ken, I dinna ken, Matthew; but take heed, mon, it does na touch me. It's me it's come after, na ye."
The moonlight was so strong that the faces of the speakers were revealed to me with extraordinary vividness, and their horrified expressions were even more startling than was the silent, ghastly figure of the Unknown. The scene comes back to me, here, in my little room in Norwood, with its every detail as clearly marked as on the night it was first enacted. The long range of cone-shaped mountains, darkly silhouetted against the silvery sky, and seemingly hushed in gaping expectancy; the shining, scaly surface of some far-off tarn or river, perceptible only at intervals, owing to the thick clusters of gently nodding pines; the white-washed walls of cottages, glistening amid the dark green denseness of the thickly leaved box trees, and the light, feathery foliage of the golden laburnum; the undulating meadows, besprinkled with gorse and grotesquely moulded crags of granite; the white, the dazzling white roads, saturated with moonbeams; all—all were overwhelmed with stillness—the stillness that belongs, and belongs only, to the mountains, and trees, and plains—the stillness of shadowland. I even counted the buttons, the horn buttons, on the rustics' coats—one was missing from the man's, two from the boy's; and I even noted the sweat-stains under the armpits of Matthew's shirt, and the dents and tears in Tammas's soft wideawake. I observed all these trivialities and more besides. I saw the abrupt rising and falling of the man's chest as his breath came in sharp jerks; the stream of dirty saliva that oozed from between his blackberry-stained lips and dribbled down his chin; I saw their hands—the man's, square-fingered, black-nailed, big-veined, shining with perspiration and clutching grimly at the reins; the boy's, smaller, and if anything rather more grimy—the one pressed flat down on the hay, the other extended in front of him, the palm stretched outwards and all the fingers widely apart.