And so enthralled were they all by the singing, that it was only when the final note of the plaintive ditty had quite ceased, that they became aware that their beloved patient, unnoticed by them, had passed out. Indeed, it seemed as if the boy’s soul, with the last whispering notes of the dirge, had joined the beautiful, pitying Banshee, to be escorted by it into the realms of the all-fearful, all-impatient Unknown. Dr Kenealy has commemorated this event in one of his poems.
The story of another haunting by the friendly Banshee is told in Kerry, in connection with a certain family that used to live there. According to my source of information the family consisted of a man (a gentleman farmer), his wife, their son, Terence, and a daughter, Norah.
Norah, an Irish beauty of the dark type, had black hair and blue eyes; and possessing numerous admirers, favoured none of them so much as a certain Michael O’Lernahan. Now Michael did not stand very well in the graces of either of Norah’s parents, but Terence liked him, and he was reputed to be rich—that is to say rich for that part of Ireland. Accordingly, he was invited pretty freely to the farm, and no obstacles were placed in his way. On the contrary, he was given more than a fair amount of encouragement.
At last, as had been long anticipated, he proposed and Norah accepted him; but no sooner was her troth plighted than they both heard, just over their heads, a low, despairing wail, as of a woman in the very greatest distress and anguish.
Though they were much alarmed at the time, being positive that the sounds proceeded from no human being, neither of them seems to have regarded the phenomenon in the shape of a warning, and both continued their love-making as if the incident had never occurred. A few weeks later, however, Norah noticed a sudden change in her lover; he was colder and more distant, and, whilst he was with her, she invariably found him preoccupied. At last the blow fell. He failed to present himself at the house one evening, though he was expected as usual, and, as no explanation was forthcoming the following morning, nor on any of the succeeding days, inquiries were made by the parents, which elicited the fact that he had become engaged to another girl, and that the girl’s home was but a few minutes’ walk from the farm.
This proved too much for Norah; although, apparently, neither unusually sensitive nor particularly highly strung, she fell ill, and shortly afterwards died of a broken heart. It was not until the night before she died, however, that the Banshee paid her a second visit. She was lying on a couch in the parlour of the farmhouse, with her mother sitting beside her, when a noise was heard that sounded like leaves beating gently against the window-frames, and, almost directly afterwards, came the sound of singing, loud, and full of intense sorrow and compassion; and, obviously, that of a woman.
“’Tis the Banshee,” the mother whispered, immediately crossing herself, and, at the same time, bursting into tears.
“The Banshee,” Norah repeated. “Sure I hear nothing but that tapping at the window and the wind which seems all of a sudden to have risen.”
But the mother made no response. She only sat with her face buried in her hands, sobbing bitterly and muttering to herself, “Banshee! Banshee!”
Presently, the singing having ceased, the old woman got up and dried her tears. Her anxiety, however, was not allayed; all through the night she could still be heard, every now and again, crying quietly and whispering to herself “’Twas the Banshee! Banshee!”; and in the morning Norah, suddenly growing alarmingly ill, passed away before medical assistance could be summoned.