She disappeared, and Shiel heard her run lightly up the stairs.

"By Jove," he said to himself, "she's the loveliest girl I've ever seen. From being so much among flowers, she has become one herself. Violets, roses, and heliotrope have all had a share in her creation! What eyes, what a mouth! what teeth! what hands! Surely I have found here, not only the perfection of all things beautiful, but the perfection of all things natural, the perfection of natural grace in contradistinction from artificial grace. Moreover, she is a romanticist. There is an expression of romance, of unworldliness, in those deep-set eyes of hers, that sinks into my heart of hearts. 'Romance' and 'womanliness,' and the two terms appear to me to be convertible, are her distinguishing features. She is an artist, an idealist, and, over and above all—a woman! Hang it! I'm in love with her!"

More he could not evolve, for his meditations were abruptly cut short by the entrance of a servant, who ushered him, straightway, into the presence of John Martin.

The latter, though visibly affected by the news of his friend's death, was a man of the world, and, consequently, came to business at once. Much had to be discussed—arrangements for the funeral, the examination of correspondence relative to the firm, and plans for the immediate future.

"You don't know how my uncle's affairs stand, I suppose?" Shiel asked somewhat nervously.

"Yes," John Martin said, "I do. May I ask if you have any private means at all—or are you solely dependent on what you earn? By the way, what is your calling?"

"I am an artist," Shiel said. "No, I've nothing beyond what my uncle was good enough to allow me."

"An artist!" John Martin murmured, "how like Dick! Have you entertained the idea of inheriting a fortune? Have you any reason to suppose that your uncle was well off and had made you his heir!"

"I gathered so, sir, from the manner in which he lived and his attitude towards me."

"Well! we won't talk it over now—leave it till after the funeral. Are you bent on continuing painting? There is very little remuneration in it, is there?"