"No," he answered. "Is that necessary before one can believe in his teachings? The truth is always divine. What difference does it make whether the one who utters it be human or divine, bond or slave, Æsop or Marcus Aurelius? the truth remains the same. A fable is only another name of a parable. We have the story of the lost sheep; that's a parable; and that of the lamb that muddied the stream, and that's a fable. One is sacred, the other profane, but both are fables, both parables. When you take them away from the context it is as easy to feel for the lamb eaten by the wolf, as for the one that was rescued, and has been immortalized in picture and song."
"Probably you are right," she said. "I never thought of it in just that way before," and saying "good night" she went to her room.
Adam thought he heard her humming, "Away on the mountains cold and bare."
VIII
When we mean to build
We first survey the plot, then draw the model,
And, then we see the figure of the house,
Then must we rate the cost of the erection.
Shakspere.
The discovery of the incomplete journal made a subtle change in Adam. He had been silent and self-absorbed from the first, but he had never quite given up hope. Even now, Robin sought to keep up the pretence, and dreading the despair which she saw creeping over Adam, she began artfully to seek some means of interesting him in something else. The question of a proper place for the books gave her an opportunity, and Adam suggested that he build an addition to the house.
They planned it as eagerly as if it was to be a castle, and spent days in looking for adobe, but finally decided that logs would be better, and Adam's ax could have been heard ringing from morning till night. A log house is not exactly a work of art, but it requires no little skill to build one, and takes a good deal of time when the logs for the floor must be planed and squared, so as to make a matched board floor. Sometimes Robin went with Adam, and worked or read; sometimes she took him his luncheon at noon, for the trees were at some little distance from the house. The logs had to be "snaked" across the rough ground and down the mountain, and when the floor had been laid, and the location of the window decided upon, Robin planted morning-glory seeds where it was to be. By dint of much pushing and hauling the logs were finally put in place, and the roof battened down. The window was truly worthy of a mediæval castle, for it was simply an oblong hole, boxed in with a casement made from some scraps of boards, while a slab shutter, swung on leather hinges, shut out the elements.
The chinking was a simple matter, and when it was all done, including a doorway into the main room, Robin was unfeignedly delighted. They made rows of shelves with the packing-cases, and arranged the books thereon. It was not an extensive library, but it occupied one side of the room, and was a godsend to them. Under the window Robin placed the green covered desk, and placed on it Adam's writing materials. Along the inside wall Adam built a bunk, after the fashion in miners' cabins, and with a mattress stuffed with the soft inner cornhusk, and a pillow from the other room, and blankets from the one tiny closet, the couch looked sufficiently inviting. On the floor Robin spread mats made from plaited cornhusk, and in the doorway hung a portière, woven from the same material on a loom that a Navajo might not have utterly despised.
Adam's scanty wardrobe was transferred to pegs in one corner of the room, one or two stools were set first here, then there, until Robin was sure the best effect had been secured, and when all was done that they could accomplish with the means at hand, and the morning-glory blossoms came peeping in at the window, the room was by no means unattractive.
Then Robin's housewifely soul took refuge in house-cleaning, and she scrubbed and arranged and re-arranged, while Adam repaired or invented furniture, until inside and out their little domain was as perfect as they could make it.