David's sermon was short, almost a rhapsody in praise of the music of praise, and then an anthem, and Professor Hedden's final offering. As the magnificent music rolled through the church, poor little Miss Jane's rooster wing disappeared entirely behind the curtain. The music ended in a mighty crash, into which Professor Hedden seemed to throw all the power of the organ. David arose. He stood a moment looking out upon the congregation.

“Following the benediction,” his dear voice announced, “our organist, Miss Hurley, will play while the congregation is being dismissed.”

Lucille looked from side to side, smiling and raising her eyebrows. David, however, did not give the benediction at once. He stood, looking out over the congregation, and behind him and the terra-cotta curtain two hats turned toward the place where we had seen Miss Jane's rooster wing sink out of sight. Professor Hedden bent down and raised Miss Jane and led her to the player's bench. She was very white. No one in the congregation moved. Then David spoke again.

His words were simple enough. He began by speaking of the man who had given the organ, and called him rugged but big-souled, and Sam Wiggett frowned. David continued, saying the organ would always be a memorial of that man's generosity and more than that. As David raised his head there came from the organ, as if from far off—faint, most faint, like a child's voice singing—the strains of the old, old hymn:

“Rock of ages, cleft for me,
Let me hide myself in thee!”

David continued as the music sang faintly. He said there was one, in whose name the donor had presented the organ, whose vacant place all would regret, since she, too, would have been eager to join in the music of praise, but he believed, he knew, that she was joining in the voice of the noble instrument from her new home on high. Then he said the benediction and the organ's voice grew strong, repeating the same noble hymn.

The congregation arose. One by one the voices took up the hymn until every voice joined in singing old Sam Wiggett's favorite hymn; the hymn he loved because his wife had loved it:

“Rock of ages, cleft for me,
Let me hide myself in thee!”

I cannot describe the change that came over the old man's face; it was as if he had been sitting with his hat on and suddenly uncovered. It was as if he had been grimly appraising a piece of property and suddenly realized that he was in God's house and felt the organ lifting his soul toward Heaven. He glanced to the left as if seeking the wife who had for so many years stood at his side to sing that same hymn. He raised his face to David and then suddenly dropped back into his seat. Miss Jane reached forward and manipulated I know not what stops and the organ opened its great lungs, crying triumphantly:

“Rock of ages, cleft for me,
Let me hide myself in thee!”