Lydia and the nurse ran to her and lifted her back upon the bed, and from that moment Lydia did not leave her side. For many days life hovered on the edge of Iréné's lips, sometimes appearing to take flight altogether, and again returning to reanimate the clay. And Lydia with anguish in her heart bent over her night and day.

At last a crisis came and Iréné fell into a profound and restful sleep; the fever left her, and the pulse slowly recovered regularity and strength; she seemed to recognize no one, and it was expected that for some weeks she would probably remain unaware of those around her. Lydia was advised to absent herself, lest to Iréné, on recovering her reason, the shock of seeing Lydia prove dangerous; and so, one evening as the sun set, her strength shattered, she returned to her own rooms.

It happened that the following day was the ninth of the Eleusinian festival, on which, if at all, those to whom the mission had been tendered might accept or renounce it. Strange to say, with her waning strength ebbed also the power of passive resistance which had kept Lydia from decision; she surrendered not to the exercise of a controlling will but to the suggesting influence of Iréné's anguish; and on the next day in the temple, to the rage of some and to the deep concern of all, in the procession she wore the yellow veil which announced her as a bride of Demeter.


CHAPTER VIII

HOW THE CULT WAS FOUNDED

Before the dramatic climax of the Eleusinian festival, the first incident of which closed the last chapter, and the thrilling sequel of which I shall have later to narrate, I had become, in spite of myself, dragged deeper into the political arena than I wished.

In the first place I had not remained an unmoved spectator of Neaera's dance. It was very new to me and altogether bewitching. She had a faultless figure—or, if it had a fault, what it took away from the type of ideal beauty it perhaps added to her feminine attractiveness. And so, on returning with Ariston to our bachelor quarters she was the theme of our conversation. Ariston had passed through a phase of tendresse for Neaera. Most of his generation who were of Neaera's class had experienced her novitiate. Even Chairo had not returned unscathed. We found him at the bath, and after a plunge into the bracing sea water we lounged in our wraps on the couches prepared for that delightful moment.

Chairo declined to take Neaera seriously: "'Il y des gens,'" he said, "'qui sont le luxe de la race.' She is a sprite created to awake sentiments which must be satisfied by others; or, perhaps, remain unsatisfied, and thus stimulate the brush of the painter and the pen of the poet. She is an artist herself; utterly without conscience or heart; but contributing greatly to the charm of life, and if not taken in too heavy doses, altogether delightful."