Costumes in the “Dream”
Jack Horner. May be dressed, if desired, in Kate Greenaway style, but ordinary costume is all that is required. Jack recites the nursery rhyme, at the end pulling a large plum out of a brown paper pie.
Mrs. Santa Claus. A plump little girl in a long dark dress, white apron and kerchief, big white cap with wide frill, and large spectacles on her nose. One hand holds the corner of her apron full of toys, the other is stretched out as if dispensing gifts to the children.
Young Santa Claus. Little boy in boots, thick coat, toboggan cap and mittens, well covered with white cotton snow, and sprinkled at the last moment with diamond dust. He stands with one hand on a tall red chimney, the other just lifting his heavy pack of toys. Make chimney by covering a long dry-goods box with red, and painting bricks with ordinary black ink. Set on stage for this tableau.
"Merry Christmas." Little boy, daintily dressed, his arms full of toys, with a drum, a horse, etc., piled at his feet.
"No Christmas." A very ragged boy and girl. The boy stands with his left arm around his little sister, his right hand holding hers. The child looks up into his face confidingly.
The Christmas Waits. Four boys and four girls between six and twelve years of age. These children may be elaborately dressed, after Seventeenth Century pictures, or very simply—the girls in white kerchiefs and caps, the boys in short capes of any dull black material, with steeple hats, made of cardboard covered with black. These children should have good voices for the carol, "Noël! Noël! the Christ is born!"[20] March as described in text.
These tableaux are arranged on a small stage or platform behind scene at back, upon which the light is concentrated, the main stage being darkened. Properties should be in readiness, and the children must be taught to take their poses quickly and without noise.
For this small stage or platform a kindergarten table serves excellently, covered with dark green, a step being placed for the use of the Waits in their march. If practicable, a curtain made to match the scene, and rise for the tableaux, may be used, but plain curtains, hung like portières, and parting in the center, are also effective. Attention should not in any way be drawn to this curtain, in order that the first tableau may come as a surprise to the audience. The point of chief importance is that, whatever the arrangement of the curtain, it should work silently and without hitch.