sung gentle melodies for all who chose to listen.

The building itself though rough, both externally and internally, was what at that period was termed a double cabin; and in this respect was entitled to a superiority over most of its neighbors. As this may serve for a representative of the houses or cabins of the early settlers of Kentucky, we shall proceed to describe its structure and general appearance somewhat more minutely than might otherwise be deemed necessary.

The sides of the cottage in question, were composed of logs, rough from the woods where they had been felled, with the bark still clinging to them, and without having undergone other transformation than being cut to a certain length, and notched at either end, so as to sink into each other, when crossed at right angles, until their bodies met, thereby forming a structure of compactness, strength and solidity. Some ten or twelve feet from the ground, the two upper end logs of the cabin projected a foot or eighteen inches beyond the lower, and supported what were called butting poles—poles which crossed these projections at right angles, and, extending along the front and back of the building, formed the eaves of the roof. This latter was constructed by gradually shortening the logs at either end, until those which crossed them, as we said before, at right angles, came together at an angle of forty-five degrees, and the last one formed the ridge-pole or comb of the whole. On these logs, lapping one over the other, and the lower tier resting against the butting poles, were laid slabs of clapboard—a species of plank split from some straight-grained tree—about four feet long, and from three to four wide. These were secured in their places by logs in turn resting on them, at certain intervals, and answering the purpose of nails; necessity requiring these latter articles of convenience to be dispensed with in the early settlements of the West. As the cabin was double, two doors gave entrance from without, one into either apartment. These entrances were formed by cutting away the logs for the space of three feet by six, and were closed by rude doors, made of rough slabs, pinned strongly to heavy cross bars, and hung on hinges of the same material. These, like the rest of the building, were rendered, by their thickness, bullet proof—so that when closed and bolted, the house was capable of withstanding an ordinary attack of the Indians. With the exception of one window, opening into the apartment generally occupied by the family, and flanked by a heavy shutter, the doors and chimney were the only means through which light and air were admitted. These were all firmly secured at night—the unsettled and exposed state of the country, and the dangerous proximity of the pioneers to the ruthless savage, particularly those without the forts, rendering necessary, on their part, the most vigilant caution.

The internal appearance of the cabin corresponded well with the external. The apartment occupied by the family during the day, where the meals were cooked and served, and the general household affairs attended to, was very homely; and might, if contrasted with some of the present time, be termed almost wretched; though considered, at the period of which we write, rather above than below the ordinary. The floor was composed of what by the settlers were termed puncheons; which were made by splitting in half trees of some eighteen inches in diameter, and hewing the faces of them as regular as possible with the broad-axe. These were laid, bark side downwards, upon sleepers running crosswise for the purpose, and formed at least a dry, solid and durable, if not polished, floor. At one end of the cabin was the chimney, built of logs, outside the apartment, but connecting with it by a space cut away for the purpose. The back, jambs, and hearth of this chimney were of stone, and put together, in a manner not likely to be imitated by masons of the present day. A coarse kind of plaster filled up the surrounding crevices, and served to keep out the air and give a rude finish to the whole.

The furniture of the Younkers, if the title be not too ambiguous, would scarcely have been coveted by any of our modern exquisites, even had they been living in that age of straight-forward common sense. A large, rough slab, split from some tree, and supported by round legs set in auger holes, had the honor of standing for a table—around which, like a brood of chickens around their mother, were promiscuously collected several three-legged stools of similar workmanship. In one corner of the room were a few shelves; on which were ranged some wooden trenchers, pewter plates, knives and forks, and the like necessary articles, while a not very costly collection of pots and kettles took a less dignified and prominent position beneath. Another corner was occupied by a bed, the covering of which was composed of skins of different animals, with sheetings of home-made linen. In the vicinity of the bed, along the wall, was a row of pegs, suspending various garments of the occupants; all of which—with the exception of a few articles, belonging to Ella, procured for her before the death of her father—were of the plainest and coarsest description. A churn—a clock—the latter a very rare thing among the pioneers of Kentucky—a footwheel for spinning flax—a small mirror—together with several minor articles, of which it is needless to speak—completed the inventory of the apartment. From this room were two exits, besides the outer door—one by a ladder leading above to a sort of attic chamber, where were two beds; and the other through the wall into the adjoining cabin, whither our hero had been borne in a state of insensibility on the night of his mishap, and where he was for the second time presented to the reader. This latter place was graced with a bed, a loom for weaving, a spinning-wheel, a large oaken chest, and a few rough benches.

Such, reader, as our description has set forth, was the general appearance of Younker's dwelling, both without and within, in the year of our Lord 1781; and, moreover, a fair representative of an hundred others of the period in question—so arbitrary was necessity in making one imitate the other. But to resume our story.

In the after part of a day as mild and beautiful as the one on which we opened our narrative, but some four weeks later, Ella Barnwell, needle-work in hand, was seated near the open door leading from the apartment first described to the reader. Her head was bent forward, and her eyes were apparently fixed upon her occupation with great intentness—though a close observer might have detected furtive glances occasionally thrown upon a young man, with a pale and somewhat agitated countenance, who was pacing to and fro on the ground without. With the exception of these two, no person was within sight—though the rattling of a loom in the other apartment or cabin, betokened the vicinity of the industrious hostess.

For some moments the young man—a no less personage than our hero—paced back and forth like one whose mind is harrowed by some disagreeable thought: then suddenly halting in front of the doorway, and in a voice which, though not intended to be so, was slightly tremulous, he addressed himself to the young lady, in words denoting a previous conversation.

"Then I must have said some strange things, Ella—I beg pardon—Miss Barnwell."

"Have I not requested you, Mr. Reynolds, on more than one occasion, to call me Ella, instead of using the formality which rather belongs to strangers in fashionable society than to those dwelling beneath the same roof, in the wilds of Kentucky?" responded the person addressed, in a tone of pique, while she raised her head and let her soft, dark eyes rest reproachfully on the other.