OPERA AT HEART'S DESIRE
Telling how Two Innocent Travellers by mere Chance collided with a Side-tracked Star
Many miles of sand and silence lay between Heart's Desire and Sky Top, by the winding trail over the high plateau and in among the foot-hills of the Sacramentos. The silence was unbroken by any music from the "heavenly maid," which lay disused beneath the wagon seat; nor did the two occupants of Tom Osby's freight wagon often emerge from the reticence habitual in a land where spaces were vast, men infrequent, and mountains ever looking down. The team of gnarled gray horses kept on their steady walk, hour after hour, and day after day; and bivouac after bivouac lay behind them, marked by the rude heap of brush piled up at night as an excuse for shelter against the wind or by the tiny circle of ashes where had been a small but sufficient fire. At last the line of the bivouacs ended, far up toward the crest of the heavily timbered Sacramentos, after a weary climb through miles of mountain cañons.
"We'll stop at the lowest spring," said Tom Osby, who knew the country of old. "That'll leave us a half mile or so from where they've built their fool log hotel. It beats the dickens how these States folks, that lives in cities, is always tryin' to imertate some other way of livin'. Why didn't they build it out of boards? They've got a saw-mill, blame 'em, and they're cuttin' off all the timber in these mountings; but they got to have logs to build their house with. Folks that builds real log houses, and not toys, does it because they ain't got no boards. But these States folks always was singerler."
By this time Tom Osby was unhitching and feeding his team, and throwing out the blanket rolls upon the ground. "Go easy on the 'Annie Laurie' machine there," called out Dan Anderson, hearing a suspicious rattling of brass against the wagon box. But his companion heeded him little, casting the phonograph at the foot of a tree, where the great horn swung wide, disconsolately.
"A imertation," said Tom, "is like I was just sayin'. It ain't the real thing.
"Now look here, friend," he went on a moment later, "you've got to do like you said you would. Of course, I know melons don't grow up here in the pine mountains, even if they was ripe yet; but you said you was comin' along to see fair play, and you got to do it."
Dan Anderson looked at him queerly. "Wait," said he; "it'll be night before long. Then you go on up to the house, and prospect around a little. If you get scared, come back, and I'll—I'll take care of you. I'll be around here somewhere, so you needn't be afraid to go right on in alone, you know. Tell her you know her preserved songs, and liked them so much you just had to come down here. Tell her about the watermelons. Tell her—"
"You're actin' a leetle nervous your own self, man," said Tom Osby, keenly. "But you watch Papa. I been married four times, or maybe five, so what's a woman here or there to me? What is there to any woman to scare a feller, anyway?"
"I'm damned if I know!" replied Dan Andersen;—"there isn't—of course there isn't, of course not. You're perfectly safe. Why, just go right on up. Have your sand along!"