CHAPTER III
THE ORPHAN OF DEL SOL
BLANCOCITO had dozed in the sun for a considerable interval. Hearing a sound at the front door, he turned an idle eye, and sprang back with a snort at sight of the unusual apparition which now descended the gallery steps—Anastasie Lockhart, no longer in male apparel, and by the merest accident coming out of the house as the two men would now have entered.
Jim Nabours was not accustomed to social formulas.
“Miss Taisie, this here is Mr. McMasters, of Gonzales, below. He’s sher’f down there. I reckon you know who he is.”
“I saw you when you came in, sir,” said the mistress of Del Sol demurely, extending her hand. “Why did you not come up to breakfast?”
While McMasters, his eyes fixed on hers, was explaining his travel-worn condition, Jim Nabours was wondering how and why in the name of all the saints of the Southwest Taisie had managed in so short a time to change from her daily ranch costume to this feminine marvel of fresh lawn, with ruffled flounces and great belled skirt. She even had white mitts—yellow-white with age. But Taisie saw no reason to explain that much of her apparel once had been her mother’s, and was now fresh resurrected. Jim did not know the mysteries of a certain rawhide chest so well as old black Milly, who had served in the Burleson Lockhart family before they moved into the border country. Had he known he might also have had a guess at the miracle of Taisie’s heavy hair, no longer banded like an Indian woman’s but done up in some sort of high twisted mass that left visible the milk-white nape of a neck not always otherwise protected against the sun.
In good truth Anastasie—such was her mother’s Louisiana name in baptism, and her own—was not unmindful of the ways of woman in older lands, in spite of the surroundings into which fate had cast her. And truly she was beautiful—rarely, astonishingly, confusingly beautiful. The man did not live who could have seen her now and not have felt his heart leap to joy in the universe and its ways.
She led them back into the house. Her very presence filled the low-ceiled room, one of the two at the right of the four corners made by the right-angled double halls. The adobe ranch house of Del Sol was built like others of the Saxon Southwest, so that each breath of air might be caught from any direction of the wind; an arrangement cooler than a patio for a house surrounded on two sides by a grove of giant live oaks draped heavily in Spanish moss.
The interior gave a rude setting for a picture such as this young woman made. The ease and luxury of lower Louisiana, for a wealthy generation of sugar-cane planters the repository of Europe’s best art and last luxuries, were not reflected in the first Saxon generation of the Texas border. True, the furniture in part was traceable to earlier days. Two paintings, three framed samplers, told of a mother’s hands. There was a heavy claw-foot table. A few mismated chairs of the Empire stood in a row. But a rawhide settee and four splat-bottom chairs frankly admitted the limit of such supplies; the prevailing flavor of the borderland could not be denied. Not so much of a marvel, for at that time there was not a hundred miles of railroad within the boundaries of Texas, and everything from the East must survive the toil and danger of wagon freighting.
In one corner of the room was a conical upright Mexican fireplace. Opposed to this and covered with soft tanned baby-calfskins of varied colors, stood the one thing which had saved the soul of Anastasie Lockhart the first, as of Anastasie the second—the piano, regarded with awe by all the cattle hands. On the piano stood, now, a vase of flowers. They were very fresh flowers. Jim Nabours knew they had not been there an hour earlier, for he had called before breakfast and they were not there then; though he knew Taisie’s garden had some blossoms.