The study of the art of upholstery is an interesting one. It leads into many avenues of interest and profit, such as the history and methods of weaving; the processes of tanning and coloring; the manufacture and history of textiles; and the like. Such correlation is valuable, and each is distinctly educational.

I wish to acknowledge my indebtedness to Prof. Chas. A. Bennett for valuable suggestions and inspiration; to David H. Tingwall for valuable help, and photographs; to A. C. Newell for suggestions on the outlines; to Wm. F. Tuttle for the photographs of antiquarian furniture taken at the Art Institute of Chicago; to Bessie Bennett for certain information about the furniture; to John R. Fasier for the drawing in Fig. [28]; and to my former and present Bradley students for inspiration and help.

The practical contents have been verified and corroborated by Henry Euler, a practical upholsterer for fifty-nine years, and by Herman Schwartling who has followed the trade for thirty years.

EMIL A. JOHNSON.

Peoria, Illinois, February, 1919.

CONTENTS

PART I
PAGE
Chapter I. Historical[7]
Chapter II. Tools and Materials[11]
Tools[11]
Materials[11]
PART II
UPHOLSTERY WITHOUT SPRINGS
Chapter III. Upholstering Board Structures[16]
A Low Footstool[16]
A Cart[17]
A Leg Rest[17]
A Footstool[21]
Materials Required[23]
Chapter IV. Upholstering Chair Seats[24]
A Chair Seat[24]
A Set-in Seat[27]
Chapter V. Upholstering a Framed Structure[28]
Footstool[28]
Procedure[29]
Materials[36]
Order of Procedure[37]
Different Methods[37]
PART III
UPHOLSTERY WITH SPRINGS
Chapter VI. Making a Hard-edge Seat[38]
Method[38]
Process[40]
A Queen Anne Stool[47]
Chapter VII. Re-upholstering[50]
Old Furniture[50]
Chapter VIII. Spring-edge Upholstery[53]
Outlines[60]
Index[64]

A QUEEN ANNE STOOL WHICH ILLUSTRATES A HARD-EDGE SEAT, SEE CHAPTER VI.

PART I