INDEX.
Artificial female voice, Roman teachers, [2]
Back ring pyramid muscles, [46], [48]
Bands uniting shield and tongue-bone, [34]
Belts v. braces for men, [25]
Breast bone, [11]
Breathing, Collar-bone, [17]
——, Curing defective, [23]
—— during sleep, [28]
—— exercises, [106]
——, midriff and rib combined, [17]
——, Mouth v. nostril, [26]
—— neglected by teachers, [19]
——, View of larynx, [84]
Breath, Singers' half-, [26]
Browne, Lennox, on breathing, [18], [22]
Carpenter, Dr., How tone is produced, [39]
Cartilages of Santorini, [51], [54], [80]
—— of Wrisberg, [51], [54], [81]
Catlin on American Indian breathing, [28]
Chest described, [12]
—— voice used for pay, [4]
Chink, Vocal, [45], [81]
Clergymen's sore throat, [22]
Collar-bones, [11]
Composers disregarding voices, [3]
——' ignorance of harp, [3]
——, Modern, wed music and words, [3]
—— to blame for vocal decline, [4]
Cords, Vocal, a misleading term, [38]
——, ——, False, [60]
——, ——, origin of term, [8]
Corsets for gentlemen, [26]
Curwen's names for registers, [87]
Czermak's test in vowel formation, [59]
—— use of the laryngoscope, [75]
Duprez' Chest C, [5]
Eberth's case, voice-box without lid, [35]
Elsberg on nose-breathing, [28]
—— on wedges (posterior nodules), [55]
Eustachian tubes, [58]
Exercises, Ah, legato, scala, [117]
——, Breathing, [106]
——, Controlling tongue, [124]
——, glottis, check and glide, [112]
—— for tone quality, [119], [121]
—— in changing registers, [118]
——, Mixed-voice, [119]
—— on koo, [124]
—— on vowels, [116]
——, Opening mouth, [125]
——, Resonator, [119]
——, Soft palate, [121]
—— to govern pitch, [115]
——, Voice production, [110]
Experiment, calf's lungs, [12]
——, Czermak on vowels, [59]
——, defects in breathing, [23]
——, feeling ring-shield aperture, [72], [100]
—— in telling male and female registers, [90]
Experiments, Marshall on animals, [39]
——, Müller on dissected larynges, [7], [96]
——, pressing shield to test pitch, [71]
——, Spirometer, [20]
——, Violin tone, [57]
——, whisper and feel voice-box, [70]
—— with laryngoscope, [76], [92]
—— with mirror, for nasal tone, [60]
Falsetto register neglected, [4], [6]
Female and male minstrels, [15]
—— voice spoilt by tenor pattern, [2]
Foulis' laryngoscope, [78]
French singers subject to tremolo, [20]
Garcia and the laryngoscope, [74]
—— on forced registers, [96]
Garrett, error in describing glottis, [45]
—— on a blackbird's larynx, [40]
—— on differences in larynges, [64]
Glogg-ner-Castelli on chest voice, [5]
Glottis, Chink of the, [45], [81]
——, Defects to avoid, [112]
—— in producing sound, [46]
—— in repose, [46]
—— in respiration, [46]
——, Shock of the, [83]
——, sphincter muscle, [44]
Heart, [11]
Helmholtz on whispered vowels, [70]
Horns, Upper and lower, [34], [37], [42]
Human voice, four parts, [9]
—— voice, incomparable, [9]
Huxley's description of respiration, [14]
Illingworth, Rumney, on falsetto, [39], [52]
Inspiration and expiration, [14]
—— of men and women, [15]
——, Three ways of, [14]
—— through the mouth, [26]
Isenschmid's throat apparatus, [77]
Italian composers studying voices, [3]
Lacing, Tight, [25]
Laryngo-Phantom, Isenschmid's, [77]
Laryngoscope described, [73]
——, Errors in using, [79]
——, How to use, [73]
——, What is seen, [80]
Laryngoscopic images, [84], [85]
Larynx generally described, [31]
—— (see Voice-box)
Levers of the Pyramids, [36]
Lid and its function, [32], [35], [80]
Ligaments, Pocket, [50], [81]
——, ——, not tone producers, [52]
——, ——, their functions, [53], [83]
——, Vocal, described, [36], [81], [94]
——, ——, how produce tone, [32], [81]
——, ——, how stretched, [47]
——, ——, in S.C.T.B. voices, [66]
——, ——, size, movement, [41]
——, ——, Three actions of, [83]
——, ——, View of, [37]
Lung gymnastics, [21]
Lungs described, [9]
——, Experiment with calf's, [12]
——, their function, [12]
Lunn on "Coup de glotte", [83]
—— on differences in larynges, [64], [89]
—— on laryngoscopic views, [82]
Luschka, and term "vocal chink", [45]
——, how tone is produced, [40]
Luschka's measurements of larynges, [64]
Male contralti, [2]
—— soprani, [1]
Malrespiration, [28]
Marshall, experiments on animals, [39]
Merkel on male and female larynges, [90]
—— on pyramids and registers, [99]
—— on tension of ligaments, [67]
Merkel's terms for registers, [90]
Meyerbeer and the falsetto, [5]
Midriff, [11]
—— described, [12]
Mixed voice, defined, [119]
Mouth, its part in singing, [59]
——, when to keep it shut, [29]
Mozart studied voice before composing, [4]
Mucous membrane, [61], [80]
Müller's experiments on larynges [7], [96]
Muscles, back ring pyramid, [46], [48]
—— governing pitch, [113]
——, How to strengthen, [113]
——, ligament tension theory, [67]
——, Pyramid, [49]
Muscles, Ring-shield, [41]
——, ——, how change registers, [97]
——, Shield-pyramid, [41]
——, Shield-pyramid, how change registers, [97]
——, Side ring-pyramid, [48]
——, Summary of uses of, [49]
Nasal tone, various theories, [60]
Nose cavities, [59]
Nostrils best adapted for breathing, [27]
Nourrit and Duprez, [5]
Novello, Sabilla, how tone is produced, [39]
Palate, Soft, exercising, [121]
——, ——, its movements, [59]
Paris Conservatoire method of inspiration, [20]
Pharynx, [58]
Pitch, Mechanism affecting, [72]
——, Rise of, strains voice, [4]
Pronunciation for Singers, Ellis's, [120]
Pyramids, how act in registers, [99]
——, Levers of the, [36], [46]
——, side view, [37]
——, their shape and motion, [36], [82], [94]
Register, Mechanism of thick, [94]
——, Thick, described, [94]
——, Thin, ", [98]
Registers, Compass of the, [93]
——, Teachers' Manual on, [87]
——, definition, [86]
——, described by Mme. Seiler, [94]
——, distinguishing sex, [90]
——, Evil of straining, [101]
——, How ligaments act in, [86]
——, how small is formed, [101]
——, how upper thick formed, [95], [97]
——, Images of, [84], [85]
——, Laryngoscope and sub-division of, [91]
——, "Mixed voice", [118]
——, optional tones, [118]
——, places of break, [87], [96]
——, Straining of, [95]
——, Three female voice, [88]
——, to equalise, not expose, [116]
——, Two male voice, [138]
——, Upper and lower thick, [96]
——, —— —— —— thin, [100]
——, what laryngoscope teaches, [104]
Resonator changes by vowel, [70]
——, effect of formation, [58]
——, its parts, [9], [56]
Respiration described, [13]
Ribs, [11]
Ring cartilage, [31], [32]
Ring-shield muscles, [41], [70]
Roger, the French tenor's style, [4], [6]
Rossini on decline of vocal art, [2]
Seiler, description of the registers, [92]
——, Madame, on "wedges", [54]
—— on action of vocal ligaments, [100]
Shield and ring, Motion of, [34], [71]
Shield cartilage, [34]
Shield plates, [33], [71]
Shield-pyramid muscles, [41]
Singable music, [3]
Singing v. speaking, [18]
Snoring and keeping mouth open, [30]
Sphincter muscle of the glottis, [44]
Spirometer tests recommended, [19]
Teaching, Hints on, [106]
Tenors as teachers of female voice, [2]
——, Short vocal life of, [1]
—— sing octave lower than written, [87]
Tobold, how tone is produced, [40]
Tone, how produced, [56]
——, loudness, [56]
——, pitch, [56]
——, quality, [56]
——, Three ways of producing, [83]
Tongue-bone, [34]
——, Exercises to control, [124]
Tonic Sol-fa College, Experiments, [20]
Tremolo, Controlled artistic, [22]
——, Involuntary, [21]
—— mars fine voices, [20]
——, Origin of, [21]
Violin, Experiments for tone on a, [57]
Vocal gymnastics, [114]
Voce mista, [118]
Voice-box, Attempts to see the, [74]
—— compared with instruments, [8]
——, differences in size, [62]
——, dissecting, [7], [44], [57]
——, its parts specified, [31]
—— measurements, [64]
—— movements, teaching of, [70], [72]
——, visible movements, [69]
Voice-breaking, Cause of, [63]
Voice, Cause of high or low, [65]
—— cultivation exercises, [110]
——, female, Wrong use of, [95]
Voice, period of change in youth, [63]
——, quality of, exercises, [119]
——, poverty of the age, [1]
—— sufferers, Cure of, [24]
Vowel scale, Order of the, [116]
——, Use of palate in forming, [59]
Wedges, Action in small register, [103]
——, or cuneiform cartilages, [51], [54], [81]
Whispering, Voice-box movements in, [70]
When to keep the mouth shut, [29]
Wilson, Erasmus, on cuneiform cartilages, [54]
Windpipe described, [31], [81]
Witkowski on "the wedges", [55]
—— on views of specialists, [8]
Women in church music, [2]
Words ignored by composers, [3]
INDEX TO "VOICE FAILURE."
Breathing, Evils of clavicular, [128]
Breathing, Lamperti on, [129]
Breathing, Wrong, [127], [128]
Forcing, [128]
Forcing, Acquiring top notes, [137]
Intonation affected by resonance, [134]
Laryngoscope, Its lessons, [137], [138]
Lung capacity, [128]
Pronunciation, [136]
Registers, Forcing, [128], [136]
Resonators, Neglect, [128], [132]
Shouting, [128]
Singing, Loud, [128],, [131]
Stammering, [130]
Symptoms of faulty voice use, [139]
Throat, Inflammation of, [137]
Timbre, [133]
Tone, Squeezing, [132]
Vowels, Shaping mouth for, [134]
Vowels, Scale of nature, [135]
Opinions of the Press and the Medical and the Musical Professions on the Author's Book, Lectures, and Teaching.
SIGNOR GARCIA writes to the Author:—