[NIGHTS WITH THE GODS]

[THE FIRST NIGHT]

ARISTOTLE ON SPECIALISM IN ENGLAND

The first night the gods and heroes assembled on the heights around Florence. From the magnificent town there came only a faint glimmer of artificial light, and the Arno rolled its waves melodiously towards the sea. On a height full of convenient terraces, offering a view on the Lily of the Arno, on Fiesole, and on the finely undulating outlines of the Apennine Mountains, the Assembly sat down. From afar one could see the bold lines of the copy of Michelangelo's David on the hill. The evening was lovely and balmy. Zeus opened the meeting with a request directed to Alexander, King of Macedon, to ask his teacher Aristotle to entertain them with his experiences at the seats of modern learning and study. Alexander did so, and the grave Stagirite, mellowed by the years, addressed the Assembly as follows:

"All my mortal life I have tried, by reading, by making vast collections of natural objects and animals, and by the closest thinking on the facts furnished to me by men of all sorts of professions and crafts, to get at some unity of knowledge. I held, and still hold, that just as Nature is one, so ought Knowledge too to be. I have written a very large number of treatises, many of which, thanks to Thy Providence, O Zeus, have escaped the smallpox called commentaries, in that the little ones never got possession of those works. But while always loving detail and single facts, I never lost sight of the connection of facts. As a coin, whether a penny or a sovereign, has no currency unless the image of the prince is cut out on it, even so has no fact scientific value unless the image of an underlying general principle is grafted thereon. This great truth I taught all my pupils, and I hoped that men would carefully observe it in all their studies. When then I went amongst the little ones, I expected them to do as I had taught their teachers to do. However, what I found was, O Zeus, the funniest of all things.

"On my visit to what they call Universities I happened to call, in the first place, on a professor who said he studied history. In my time I believed that history was not as suggestive of philosophical truths as is poetry. Since then I have somewhat altered my view. Naturally enough I was curious to know what my Professor of History thought of that, and I asked him to that effect. He looked at me with a singular smile and said: 'My young friend (—I had assumed the appearance of a student—), my young friend, history is neither more nor less than a science. As such it consists of a long array of specialities.' 'And which,' I asked timidly, 'is your special period?' Whereupon the professor gravely said: 'The afternoons of the year 1234 A.D.'" While everybody present in the Assembly, including even St Francis of Assisi, laughed at this point of Aristotle's narrative, Diogenes exclaimed: "Why has the good man not selected the nights of that year? It would greatly reduce his labours."

A peal of laughter rewarded the lively remark. Aristotle resumed his tale, and said: "When the professor saw that I was a little amused at his statement, he frowned on me and exclaimed in a deep voice, if with frequent stammerings, which as I subsequently learnt is the chief attraction of their diction, 'My young friend, you must learn to understand that we modern historians have discovered a method so subtle, and so effective, that, with all deference be it said, we are in some respects stronger even than the gods. For the gods cannot change the past; but we modern historians can. We do it every day of our lives, and some of us have obtained a very remarkable skill at it.'"

At this point of Aristotle's narrative Homeric laughter seized all present, and Aristophanes patted the Stagirite on the back, saying: "Pray, consider yourself engaged. At the next performance of my best comedy you will be my protagonist." Aristotle thanked him with much grace, and continued: "I was naturally very curious to learn what my Professor of History thought of the great Greeks of my own time and of that of my ancestors. I mentioned Homer. I had barely done so but what my professor burst into a coarse and disdainful guffaw.

"'Homer?' he exclaimed; 'Homer?—but of whom do you speak? Homer is nothing more nor less than a multiple syndicate of street-ballad-singers who, by a belated process of throwing back the "reflex" of present and modern events to remote ages, and by the well-known means of literary contamination, epical syncretism, and religious, mythopœic, and subconscious impersonation have been hashed into the appearance of one great poet.

"'Our critical methods, my young friend, are so keen that, to speak by way of simile, we are able to spot, from looking at the footprints of a man walking in the sand, what sort of buttons he wore on his cuffs.