The living grain of corn a blind hen after much scratching succeeds in digging out from beneath a barn-yard floor bears a closer resemblance to life, and hence to the voice, than the relations a professor of physiology scratches together out of the various parts which he supposes make up the instrument of the voice. These attempts are so contrary to reason and common sense that in any other science their originators would be laughed to scorn for their pains.
The other great issue with physiologists in connection with the voice is that of breathing. Clavicular breathing, costal breathing, diaphragmatic breathing, etc.—these are some of the terms in common use, and the "modes" of breathing commonly practised. Each of these modes is supposed to be practised separately and at the will of the performer. They are praised and recommended or condemned according to the special view of the practitioner. Systems are based on these special modes and schools arise therefrom. What one "school" practises is condemned by another. And how could it be otherwise, all being wrong?
Being homogeneous entities, whose wholesome existence is based upon a harmonious coöperation of all parts, we cannot practise breathing from a special part without every other part more or less participating. The act of breathing being our most vital performance, every other part would suffer if it were confined to any special part. Our entire system, therefore, must participate therein; the hemisphere of the abdomen no less than that of the thorax; both hemispheres coöperating with each other and with other streams introduced into our system through the pores and every other opening in the body. For a moment, and for an especial expression, one part may prevail over another; but the true artist will always breathe in such a manner that after such an effort all parts will again harmonize and balance one another. He will have such control over his breathing powers that he can at any time throw the balance of power into one direction; but he will never let any one direction continue to prevail over any other.
Every theory heretofore advanced in respect to our mode of breathing, being based upon false premises, is wrong in the abstract, and impossible of practical execution.
If I have expressed myself strongly, it is because I feel strongly the injury which has been wrought by this so-called "science" of the laryngoscopists. It has in thousands of instances hindered the natural development of the voice, and has in many other directions done incalculable harm; while it has in no direction ever done any good. It has oppressed the intellect, depressed the spirit, and suppressed the soul of singers. Let me add but this: What would be the use of the most scientifically constructed stove, filled with the most appropriate fuel, if the flame were wanting to set fire to this fuel? Supposing the laryngoscopists to comprehend the intricate construction of the stove (the body), the highly sensitive and complicated apparatus of the fuel (the instrument of the voice)—both of which, however, they are greatly in the dark about—the flame would still be wanting to set fire to this fuel and fill the stove with the holy glow of song. This flame (the life, the spirit) they do not even pretend to be able to furnish. They only give us the stove and the fuel, which remain forever dark, cold, lifeless, inert.
To set myself up in judgment regarding these important issues, or to place my judgment over that of so many eminent persons in the past as well as the present, may appear to be a presumptuous, rash, bold, and almost unwarranted undertaking. It is not my fault, however, that there should be such utter confusion existing in these matters; that no one should have ever succeeded in reducing this chaos to any kind of order; that I am the heir, so to say, to this condition of affairs; the trustee to this inheritance, who is to make use of it to the best advantage of all that are interested.
Nor is it my fault that, not by dint of superior endowments, or any other qualities of a superior order, but simply through the discovery of the dual nature of the voice, I should have obtained an insight into, a mastery over, these matters never before enjoyed by any man. Yet there seems to be a disposition on the part of some persons to throw blame on me for these facts; in place of furthering, to suppress, this knowledge; in place of probing and investigating, to assume that it is simply the outcome of a somewhat more than lively imagination. It appears to me that this is partly done in the interest of the vast literature on these subjects now in existence, which will become obsolete and valueless as soon as the truth in matters of the voice has been established.
I dare say this simple fact, "We breathe and speak through the œsophagus in conjunction with breathing and speaking through the trachea," for real knowledge, is worth all of the entire literature on the voice, as a science, now in existence.
The science of the voice, as I understand and am trying to explain and establish it, is one not so much of mechanical issues, though they have their share in it, as one in which the spirit, this heretofore unapproachable issue, performs the greatest and most vital part. It is a question of life, and every issue and every agency governing life are involved in it. How vast a science this science of the voice therefore is, can be better imagined than at once fully comprehended. I am far from being able to present it in all its aspects, but shall endeavor, as I have already partly done, to continue to give a general outline of it.
It will take time and patience for any one to acquire this knowledge, but the reward will be more than commensurate. To superficially obtain it from others is not sufficient; one must learn to know it of one's own knowledge. It is an academic study, embracing many sciences. A person must enter into it with his whole being if he wants to get hold of the spirit thereof and be truly benefited thereby. He must identify himself with this knowledge, must become part and parcel thereof, or it must become part and parcel of him. When this is done, true teachers of the voice will arise, for here is a chance for greatness to assert itself. It will be death to all hackneyed knowledge and charlatanism.