In the north-western tribes studied by Clement,[1174] which occupy the district included between the Fontescue and Fitzroy rivers, certain ceremonies are celebrated whose object is exactly the same as that of the Intichiuma of the Arunta, and which seem to be, for the most part, essentially imitative.
These peoples give the name tarlow to certain piles of stones which are evidently sacred, for, as we shall see, they are the object of important rites. Every animal, every plant, and in fact, every totem or sub-totem,[1175] is represented by a tarlow which a special clan[1176] guards. The analogy between these tarlow and the sacred rocks of the Arunta is easily seen.
When kangaroos, for example, become rare, the chief of the clan to which the tarlow of the kangaroo belongs goes to it with a certain number of companions. Here various rites are performed, the chief of which consist in jumping around the tarlow as kangaroos jump, in drinking as they drink and, in a word, in imitating all their most characteristic movements. The weapons used in hunting the animal have an important part in these rites. They brandish them, throw them against the stones, etc. When they are concerned for emus, they go to the tarlow of the emu, and walk and run as these birds do. The skill which the natives show in these imitations is, as it appears, really remarkable.
Other tarlow are consecrated to plants, such as the cereals. In this case, they imitate the actions of threshing and grinding the grain. Since in ordinary life it is the women who are normally charged with these tasks, it is also they who perform the rite, in the midst of songs and dances.
II
All these rites belong to the same type. The principle upon which they rest is one of those at the basis of what is commonly and incorrectly called sympathetic[1177] magic.
These principles are ordinarily reduced to two.[1178]
The first may be stated thus: anything touching an object also touches everything which has any relation of proximity or unity whatsoever with this object. Thus, whatever affects the part also affects the whole; any action exercised over an individual is transmitted to his neighbours, relatives and all those to whom he is united in any way. All these cases are simple applications of the law of contagion, which we have already studied. A condition or a good or bad quality are communicated contagiously from one subject to another who has some connection with the former.
The second principle is ordinarily summed up in the formula: like produces like. The representation of a being or condition produces this being or condition. This is the maxim which brings about the rites which we have just been describing, and it is in them that we can best observe its characteristics. The classical example of the magic charm, which is ordinarily given as the typical application of this same precept, is much less significant. The charm is, to a large extent, a simple phenomenon of transfer. The idea of the image is associated in the mind with that of the model; consequently the effects of an action performed upon a statue are transmitted contagiously to the person whose traits it reproduces. The function of the image is for its original what that of a part is for the whole: it is an agent of transmission. Therefore men think that they can obtain the same result by burning the hair of the person whom they wish to injure: the only difference between these two sorts of operations is that in one, the communication is made through similarity, while in the other it is by means of contiguity. It is different with the rites which concern us. They suppose not only the displacement of a given condition or quality, which passes from one object into the other, but also the creation of something entirely new. The mere act of representing the animal gives birth to this animal and creates it; by imitating the sound of wind or falling water, they cause clouds to form, rain to fall, etc. Of course resemblance plays an important part in each case, but not at all the same one. In a charm, it only gives a special direction to the action exercised; it directs in a certain way an action not originating in it. In the rites of which we have just been speaking, it acts by itself and is directly efficacious. So, in contradiction to the usual definitions, the real difference between the two principles of the so-called sympathetic magic and the corresponding practices is not that it is contiguity acts in one case and resemblance in the other, but that in the former there is a simple contagious communication, while there is production and creation in the latter.[1179]
The explanation of imitative rites therefore implies the explanation of the second of these principles, and reciprocally.