M. Segmuller was saying the same thing to himself. But he was not so surprised nor so overcome by the skill the prisoner had displayed in fencing with this point. “Let us continue,” said he. “Do you still persist in your statements, prisoner?”
“Yes.”
“Very well; then I shall be forced to tell you that what you are saying is untrue.”
The prisoner’s lips trembled visibly, and it was with difficulty that he faltered: “May my first mouthful of bread strangle me, if I have uttered a single falsehood!”
“A single falsehood! Wait.”
The magistrate drew from the drawer of his desk the molds of the footprints prepared by Lecoq, and showing them to the murderer, he said: “You told me a few minutes ago that the two women were as tall as grenadiers; now, just look at the footprints made by these female giants. They were as ‘dark as moles,’ you said; a witness will tell you that one of them was a small, delicate-featured blonde, with an exceedingly sweet voice.” He sought the prisoner’s eyes, gazed steadily into them, and added slowly: “And this witness is the driver whose cab was hired in the Rue de Chevaleret by the two fugitives, both short, fair-haired women.”
This sentence fell like a thunderbolt upon the prisoner; he grew pale, tottered, and leaned against the wall for support.
“Ah! you have told me the truth!” scornfully continued the pitiless magistrate. “Then, who is this man who was waiting for you while you were at the Poivriere? Who is this accomplice who, after your arrest, dared to enter the Widow Chupin’s den to regain possession of some compromising object—no doubt a letter—which he knew he would find in the pocket of the Widow Chupin’s apron? Who is this devoted, courageous friend who feigned drunkenness so effectually that even the police were deceived, and thoughtlessly placed him in confinement with you? Dare you deny that you have not arranged your system of defense in concert with him? Can you affirm that he did not give the Widow Chupin counsel as to the course she should pursue?”
But already, thanks to his power of self-control, the prisoner had mastered his agitation. “All this,” said he, in a harsh voice, “is a mere invention of the police!”
However faithfully one may describe an examination of this kind, a narrative can convey no more idea of the real scene than a heap of cold ashes can give the effect of a glowing fire. One can note down each word, each ejaculation, but phraseology is powerless to portray the repressed animation, the impassioned movements, the studied reticence, the varied tones of voice, the now bold, now faltering glances, full of hatred and suspicion, which follow each other in rapid succession, mostly on the prisoner’s side, but not entirely so, for although the magistrate may be an adept in the art of concealing his feelings, at times nature can not be controlled.