“He has killed three men.”
“Oh! oh! oh!” said old Tabaret, in three different tones, plainly implying that this criminal was evidently superior to others of his species. “And where did this happen?”
“In a wine-shop near the barriere.”
“Oh, yes, I recollect: a man named May. The murders were committed in the Widow Chupin’s cabin. I saw the case mentioned in the ‘Gazette des Tribunaux,’ and your comrade, Fanferlot l’Ecureuil, who comes to see me, told me you were strangely puzzled about the prisoner’s identity. So you are charged with investigating the affair? So much the better. Tell me all about it, and I will assist you as well as I can.”
Suddenly checking himself, and lowering his voice, Tirauclair added: “But first of all, just do me the favor to get up. Now, wait a moment, and when I motion you, open that door there, on the left, very suddenly. Mariette, my housekeeper, who is curiosity incarnate, is standing there listening. I hear her hair rubbing against the lock. Now!”
The young detective immediately obeyed, and Mariette, caught in the act, hastened away, pursued by her master’s sarcasms. “You might have known that you couldn’t succeed at that!” he shouted after her.
Although Lecoq and Father Absinthe were much nearer the door than old Tirauclair, neither of them had heard the slightest sound; and they looked at each other in astonishment, wondering whether their host had been playing a little farce for their benefit, or whether his sense of hearing was really so acute as this incident would seem to indicate.
“Now,” said Tabaret, settling himself more comfortably upon his pillows—“now I will listen to you, my boy. Mariette will not come back again.”
On his way to Tabaret’s, Lecoq had busied himself in preparing his story; and it was in the clearest possible manner that he related all the particulars, from the moment when Gevrol opened the door of the Poivriere to the instant when May leaped over the garden wall in the rear of the Hotel de Sairmeuse.
While the young detective was telling his story, old Tabaret seemed completely transformed. His gout was entirely forgotten. According to the different phases of the recital, he either turned and twisted on his bed, uttering little cries of delight or disappointment, or else lay motionless, plunged in the same kind of ecstatic reverie which enthusiastic admirers of classical music yield themselves up to while listening to one of the great Beethoven’s divine sonatas.