“That fellow Costeclar,” he went on, “he won’t believe that there are in France a number of people who live and die without ever having owned a horse or a coupe; which is a fact, nevertheless. Those fellows who were born with fifty or sixty thousand francs’ income in their baby-clothes are all alike.”
The unpleasant intention was evident; but M. Costeclar was not the man to get angry for such a trifle.
“You are in bad humor to-day, old fellow,” he said. The editor of “The Financial Pilot” made a threatening gesture.
“Well, yes,” he answered, “I am in bad humor, like a man who for ten years past has been beating the drum in front of your d—d financial shops, and who does not pay expenses. Yes, for ten years I have shouted myself hoarse for your benefit: ‘Walk in, ladies and gentlemen, and, for every twenty-cent-piece you deposit with us, we will return you a five-franc-piece. Walk in, follow the crowd, step up to the office: this is the time.’ They go in. You receive mountains of twenty-cent-pieces: you never return anything, neither a five-franc-piece, nor even a centime. The trick is done, the public is sold. You drive your own carriage; you suspend diamonds to your mistress’ ears; and I, the organizer of success, whose puffs open the tightest closed pockets, and start up the old louis from the bottom of the old woolen stocking,—I am driven to have my boots half-soled. You stint me my existence; you kick as soon as I ask you to pay for the big drums bursted in your behalf.”
He spoke so loud, that three or four idlers had stopped. Without being very shrewd, Maxence understood readily that he had happened in the midst of an acrimonious discussion. Closely pressed, and desirous of gaining time, M. Costeclar had called him in the hopes of effecting a diversion.
Bowing, therefore, politely,
“Excuse me, gentlemen,” he said: “I fear I have interrupted you.”
But M. Costeclar detained him.
“Don’t go,” he declared; “you must come down and take a glass of Madeira with us, down at the Cascade.”
And, turning to the editor of “The Pilot”: