It was all over. Jacques de Boiscoran was a prisoner, to be kept in close confinement.

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SECOND PART—THE BOISCORAN TRIAL

I.

The Paris house of the Boiscoran family, No. 216 University Street, is a house of modest appearance. The yard in front is small; and the few square yards of damp soil in the rear hardly deserve the name of a garden. But appearances are deceptive. The inside is marvellously comfortable; careful and painstaking hands have made every provision for ease; and the rooms display that solid splendor for which our age has lost the taste. The vestibule contains a superb mosaic, brought home from Venice, in 1798, by one of the Boiscorans, who had degenerated, and followed the fortunes of Napoleon. The balusters of the great staircase are a masterpiece of iron work; and the wainscoting in the dining-room has no rival in Paris.

All this, however, is a mere nothing in comparison with the marquis’s cabinet of curiosities. It fills the whole depth, and half the width, of the upper story; is lighted from above like a huge atelier; and would fill the heart of an artist with delight. Immense glass cases, which stand all around against the walls, hold the treasures of the marquis,—priceless collections of enamels, ivories, bronzes, unique manuscripts, matchless porcelains, and, above all, his faiences, his dear faiences, the pride and the torment of his old age.

The owner was well worthy of such a setting.

Though sixty-one years old at that time, the marquis was as straight as ever, and most aristocratically lean. He had a perfectly magnificent nose, which absorbed immense quantities of snuff; his mouth was large, but well furnished; and his brilliant eyes shone with that restless cunning which betrayed the amateur, who has continually to deal with sharp and eager dealers in curiosities and second-hand articles of vertu.

In the year 1845 he had reached the summit of his renown by a great speech on the question of public meetings; but at that hour his watch seemed to have stopped. All his ideas were those of an Orleanist. His appearance, his costume, his high cravat, his whiskers, and the way he brushed his hair, all betrayed the admirer and friend of the citizen king. But for all that, he did not trouble himself about politics; in fact, he troubled himself about nothing at all. With the only condition that his inoffensive passion should be respected, the marchioness was allowed to rule supreme in the house, administering her large fortune, ruling her only son, and deciding all questions without the right of appeal. It was perfectly useless to ask the marquis any thing: his answer was invariably,—

“Ask my wife.”