“I’m not sleepy; I’m not going to bed,” she said the moment they were shut in together.
The count obeyed her submissively, as became a man no longer afraid of being seen. His one care now was to avoid vexing her.
“As you will,” he murmured.
Nevertheless, he took his boots off, too, before seating himself in front of the fire. One of Nana’s pleasures consisted in undressing herself in front of the mirror on her wardrobe door, which reflected her whole height. She would let everything slip off her in turn and then would stand perfectly naked and gaze and gaze in complete oblivion of all around her. Passion for her own body, ecstasy over her satin skin and the supple contours of her shape, would keep her serious, attentive and absorbed in the love of herself. The hairdresser frequently found her standing thus and would enter without her once turning to look at him. Muffat used to grow angry then, but he only succeeded in astonishing her. What was coming over the man? She was doing it to please herself, not other people.
That particular evening she wanted to have a better view of herself, and she lit the six candles attached to the frame of the mirror. But while letting her shift slip down she paused. She had been preoccupied for some moments past, and a question was on her lips.
“You haven’t read the Figaro article, have you? The paper’s on the table.” Daguenet’s laugh had recurred to her recollections, and she was harassed by a doubt. If that Fauchery had slandered her she would be revenged.
“They say that it’s about me,” she continued, affecting indifference. “What’s your notion, eh, darling?”
And letting go her shift and waiting till Muffat should have done reading, she stood naked. Muffat was reading slowly Fauchery’s article entitled “The Golden Fly,” describing the life of a harlot descended from four or five generations of drunkards and tainted in her blood by a cumulative inheritance of misery and drink, which in her case has taken the form of a nervous exaggeration of the sexual instinct. She has shot up to womanhood in the slums and on the pavements of Paris, and tall, handsome and as superbly grown as a dunghill plant, she avenges the beggars and outcasts of whom she is the ultimate product. With her the rottenness that is allowed to ferment among the populace is carried upward and rots the aristocracy. She becomes a blind power of nature, a leaven of destruction, and unwittingly she corrupts and disorganizes all Paris, churning it between her snow-white thighs as milk is monthly churned by housewives. And it was at the end of this article that the comparison with a fly occurred, a fly of sunny hue which has flown up out of the dung, a fly which sucks in death on the carrion tolerated by the roadside and then buzzing, dancing and glittering like a precious stone enters the windows of palaces and poisons the men within by merely settling on them in her flight.
Muffat lifted his head; his eyes stared fixedly; he gazed at the fire.
“Well?” asked Nana.