And he loved his abasement and delighted in being a brute beast. He longed to sink still further and would cry:
“Hit harder. On, on! I’m wild! Hit away!”
She was seized with a whim and insisted on his coming to her one night clad in his magnificent chamberlain’s costume. Then how she did laugh and make fun of him when she had him there in all his glory, with the sword and the cocked hat and the white breeches and the full-bottomed coat of red cloth laced with gold and the symbolic key hanging on its left-hand skirt. This key made her especially merry and urged her to a wildly fanciful and extremely filthy discussion of it. Laughing without cease and carried away by her irreverence for pomp and by the joy of debasing him in the official dignity of his costume, she shook him, pinched him, shouted, “Oh, get along with ye, Chamberlain!” and ended by an accompaniment of swinging kicks behind. Oh, those kicks! How heartily she rained them on the Tuileries and the majesty of the imperial court, throning on high above an abject and trembling people. That’s what she thought of society! That was her revenge! It was an affair of unconscious hereditary spite; it had come to her in her blood. Then when once the chamberlain was undressed and his coat lay spread on the ground she shrieked, “Jump!” And he jumped. She shrieked, “Spit!” And he spat. With a shriek she bade him walk on the gold, on the eagles, on the decorations, and he walked on them. Hi tiddly hi ti! Nothing was left; everything was going to pieces. She smashed a chamberlain just as she smashed a flask or a comfit box, and she made filth of him, reduced him to a heap of mud at a street corner.
Meanwhile the goldsmiths had failed to keep their promise, and the bed was not delivered till one day about the middle of January. Muffat was just then in Normandy, whither he had gone to sell a last stray shred of property, but Nana demanded four thousand francs forthwith. He was not due in Paris till the day after tomorrow, but when his business was once finished he hastened his return and without even paying a flying visit in the Rue Miromesnil came direct to the Avenue de Villiers. Ten o’clock was striking. As he had a key of a little door opening on the Rue Cardinet, he went up unhindered. In the drawing room upstairs Zoé, who was polishing the bronzes, stood dumfounded at sight of him, and not knowing how to stop him, she began with much circumlocution, informing him that M. Venot, looking utterly beside himself, had been searching for him since yesterday and that he had already come twice to beg her to send Monsieur to his house if Monsieur arrived at Madame’s before going home. Muffat listened to her without in the least understanding the meaning of her recital; then he noticed her agitation and was seized by a sudden fit of jealousy of which he no longer believed himself capable. He threw himself against the bedroom door, for he heard the sound of laughter within. The door gave; its two flaps flew asunder, while Zoé withdrew, shrugging her shoulders. So much the worse for Madame! As Madame was bidding good-by to her wits, she might arrange matters for herself.
And on the threshold Muffat uttered a cry at the sight that was presented to his view.
“My God! My God!”
The renovated bedroom was resplendent in all its royal luxury. Silver buttons gleamed like bright stars on the tea-rose velvet of the hangings. These last were of that pink flesh tint which the skies assume on fine evenings, when Venus lights her fires on the horizon against the clear background of fading daylight. The golden cords and tassels hanging in corners and the gold lace-work surrounding the panels were like little flames of ruddy strands of loosened hair, and they half covered the wide nakedness of the room while they emphasized its pale, voluptuous tone. Then over against him there was the gold and silver bed, which shone in all the fresh splendor of its chiseled workmanship, a throne this of sufficient extent for Nana to display the outstretched glory of her naked limbs, an altar of Byzantine sumptuousness, worthy of the almighty puissance of Nana’s sex, which at this very hour lay nudely displayed there in the religious immodesty befitting an idol of all men’s worship. And close by, beneath the snowy reflections of her bosom and amid the triumph of the goddess, lay wallowing a shameful, decrepit thing, a comic and lamentable ruin, the Marquis de Chouard in his nightshirt.
The count had clasped his hands together and, shaken by a paroxysmal shuddering, he kept crying:
“My God! My God!”
It was for the Marquis de Chouard, then, that the golden roses flourished on the side panels, those bunches of golden roses blooming among the golden leaves; it was for him that the Cupids leaned forth with amorous, roguish laughter from their tumbling ring on the silver trelliswork. And it was for him that the faun at his feet discovered the nymph sleeping, tired with dalliance, the figure of Night copied down to the exaggerated thighs—which caused her to be recognizable of all—from Nana’s renowned nudity. Cast there like the rag of something human which has been spoiled and dissolved by sixty years of debauchery, he suggested the charnelhouse amid the glory of the woman’s dazzling contours. Seeing the door open, he had risen up, smitten with sudden terror as became an infirm old man. This last night of passion had rendered him imbecile; he was entering on his second childhood; and, his speech failing him, he remained in an attitude of flight, half-paralyzed, stammering, shivering, his nightshirt half up his skeleton shape, and one leg outside the clothes, a livid leg, covered with gray hair. Despite her vexation Nana could not keep from laughing.