'Don't call me President any more, you stupid,' Rougon at last exclaimed in irritation; 'I'm one no longer.'

Merle bowed, and took a step towards the door. Then he stopped and seemed to hesitate. Finally he came back and said: 'There's a lady on horseback down below who wants to see you, sir. She laughed, and said she would come up, horse and all, if the staircase were wide enough. She declared that she only wanted to shake hands with you, sir.'

Rougon clenched his fists, thinking this to be some joke; but Delestang, who had gone to look out of the window on the landing, hastened back, exclaiming, with an expression of emotion: 'Mademoiselle Clorinde!'

Then Rougon said that he would go downstairs; and as he and Delestang took their hats, he looked at his friend, and with a frown and a suspicious air, prompted by the latter's emotion, exclaimed: 'Beware of women!'

When he reached the door, he gave a last glance round the room. The full light of day was streaming through the three open windows, illumining the open pasteboard boxes, the scattered drawers and the packets of papers, tied up and heaped together in the middle of the carpet. The apartment looked very spacious and very mournful. In the grate only a small heap of black ashes was now left of all the handfuls of burnt papers. And as Rougon closed the door behind him, the taper, which had been forgotten on the edge of the writing-table, burnt out, splitting the cut-glass socket of the candlestick to pieces amid the silence of the empty room.


[III]

MADEMOISELLE CLORINDE

Rougon occasionally went to Countess Balbi's for a few minutes towards four in the afternoon. He walked there in a neighbourly way, for she lived in a small house overlooking the avenue of the Champs Élysées, only a few yards from the Rue Marbeuf. She was seldom at home, and when by chance she did happen to be there she was in bed, and had to send excuses for not making her appearance. This, however, did not prevent the staircase of the little house from being crowded with noisy visitors, or the drawing-room doors from being perpetually on the swing. Her daughter Clorinde was wont to receive her friends in a gallery, something like an artist's studio, with large windows overlooking the avenue.

For nearly three months Rougon, with his blunt distaste for female wiles, had responded very coldly to the advances of these ladies, who had managed to get introduced to him at a ball given by the Minister for Foreign Affairs. He met them everywhere, both of them smiling with the same winning smile—the mother always silent, while the daughter always chattered and looked him straight in the face. However, he still went on avoiding them, lowering his eyes so as not to see them, and refusing the invitations which they sent him. Then as they continued to press him hard and pursued him even to his own house, past which Clorinde used to ride ostentatiously, he made inquiries before at last venturing to call on them.