Chevalier Rusconi, having again taken his seat at the piano, was trying to recall a tune, gently striking the keys and humming some Italian words in a low voice. La Rouquette, meantime, was fanning himself with his handkerchief; Clorinde was again seriously impersonating Diana, and Rougon, in the sudden calm which had come upon the room, took short steps up and down while looking at the walls. The gallery was crowded with an extraordinary collection of articles; a secrétaire, a chest, and several chairs and tables, all pushed into the middle of the apartment and forming a labyrinth of narrow passages. At one end of the room some hot-house plants, crowded together and neglected, were drooping and dying, their long, pendent leaves already turning yellow; and at the other end there was a great heap of dried sculptor's clay, in which one could still recognise the crumbling arms and legs of a statue which Clorinde had roughly moulded one day when seized with the whim of becoming an artist. Although the gallery was very large, there was only one unencumbered spot in it, a patch in front of one of the windows, a small square, which had been turned into a kind of little drawing-room, furnished with a couch and three odd easy chairs.
'You are at liberty to smoke,' said Clorinde to Rougon. He thanked her, but told her that he never smoked. Then, without turning round, the girl cried out: 'Chevalier, make me a cigarette. The tobacco is in front of you, on the piano.'
While the Chevalier was making the cigarette there was another interval of silence. Rougon, vexed at finding all these people present, felt inclined to take up his hat; however, he turned round and walked up to Clorinde; then raising his head, he said with a smile: 'Didn't you ask me to call because you had something to show me?'
She did not immediately reply, but maintained her serious pose; so he continued: 'What is it that you want to show me?'
'Myself,' she answered.
She spoke this word in a majestic tone, not moving a limb as she stood there on the table in her goddess-like posture. Rougon, in his turn becoming grave, took a step backward and scrutinised her. She was truly a superb creature, with her pure perfect profile, her slender neck, and admirable classic figure. She rested one hand upon her bow, and preserved all the antique huntress's expression of serene strength, regardless of the scantiness of her attire, contemptuous of the love of man, at once cold, haughty, and immortal.
'Charming, charming!' exclaimed Rougon, not knowing what else to say.
As a matter of fact he found her statuesque immobility rather disturbing. She looked so triumphant, so convinced of her classical beauty, that, if he had dared to express his thoughts, he would have criticised her like some marble statue, certain details of which displeased his unæsthetic eyes.
'Have you looked enough?' asked Clorinde, still serious and earnest. 'Wait a moment and you shall see something else.'