A peculiar smile played on the girl's lips as she lay back in her chair. There was an expression of soft languor on her face, and her bosom gently heaved. When she replied, it was with an exaggerated Italian accent, and in a sort of singing voice. 'Nonsense, my friend; you adore us, I know. Will you bet me that you aren't married by this time next year?'
She was really provoking, so certain did she seem to be of conquering him. For some time past she had been calmly offering herself to Rougon. She no longer attempted to disguise her snares and the clever way in which she had worked upon him before laying siege to his desires. She considered that he was now sufficiently overcome for her to bring the matter to an issue. It was a real duel that was going on between them, and although the conditions of the combat were not mentioned in actual words, there were unmistakable confessions in their glances. When they looked at each other they could not refrain from smiling. Clorinde had set her eyes upon her goal and went straight towards it, with a haughty boldness; while Rougon, infatuated though he was, resolved to play a wily game in order to prove his superiority. Their pride was engaged in the struggle quite as much as their passions were.
'With us in Italy,' resumed Clorinde in a low tone, 'love is the great business of life. Young girls of twelve already have their lovers. For myself, I have travelled about so much, that I've almost become a man. But if you could only have seen mamma when she was young! She was so lovely that people came from long distances to see her, but she seldom if ever left her house. There was a count who stayed at Milan expressly for six months without catching sight of her hair even. The fact is, that Italian women are very different from French women, who are always chattering and gadding about. An Italian woman remains with the man she has chosen. But I have travelled so much, that I really don't know whether I haven't lost that instinct or not; still I think that I could love very strongly; ah, yes, with all my heart and soul.'
She had let her eyelids fall, and her face glowed as with a voluptuous ecstasy. While she was speaking, Rougon had left his table as though attracted by some force which he could not withstand, and his hands were trembling. But when he got near to Clorinde, the girl opened her eyes again and gave him a quiet glance. Then, as she looked at the clock, she said with a smile: 'This makes ten tickets.'
'Ten tickets! what do you mean?' asked Rougon, quite confused.
When he had recovered his self-possession, she burst into a laugh. It delighted her to bewitch him and intoxicate him in this way, and when he opened his arms to clasp her, to elude him with a laugh. She seemed in high glee. At this Rougon turned very pale, and cast a furious glance at her, which only served to increase her merriment. 'Well, I think I'd better be off now,' she said. 'You're not polite enough for ladies' society. No, really, my mother will be expecting me.'
Rougon, however, had resumed his paternal manner, and told her that she must spare him another five minutes. He had got tired of the work he was doing when she came in, he said; it was a report to be presented to the Senate on certain petitions. Then he began to talk to her about the Empress, for whom she professed enthusiastic devotion. The Empress, said he, had been at Biarritz for the last week. At this the girl again leant back in her arm-chair and began to chatter. She knew Biarritz very well; she had once spent a season there, before it had become such a fashionable watering-place; and she very much regretted that she was unable to revisit it while the Court was there. Then she went on to describe a meeting of the Academy to which M. de Plouguern had taken her on the previous day. An author had been admitted as a member, and she made many jokes at the expense of his baldness. She had a horror of books, she declared. Whenever she tried to read, she had to go off to bed, suffering from terrible nervous attacks. She could not understand what she read. Then, on Rougon telling her that the author received at the Academy on the previous day was an enemy of the Emperor's, and that his discourse had swarmed with abominable allusions, she seemed quite astounded.
'Why, he looked such a nice man!' she exclaimed.
But Rougon also had begun to inveigh against books. A novel had just been published, he said, which had aroused his utmost indignation. It was a work of the most depraved kind, which, while claiming to portray the exact truth, dragged the reader through all the wild fancies of an hysterical woman.[8] The word hysterical seemed to please him, for he repeated it three times; but when Clorinde asked him to explain what he meant by it, he refused to answer, suddenly becoming very prudish.
'Everything may be said,' he continued, 'only there is a fitting way of saying it. In administrative matters, for instance, we are frequently obliged to tackle very delicate subjects. I have read, for example, reports upon certain matters which have been very precise, very detailed; but they have been written in a clear, simple, straightforward style, so that there was nothing unchaste or impure about the document. But our present-day novelists have adopted a style which is full of suggestiveness, a manner of describing things which makes it appear as if they were actually going on before you. They call that art. To me it seems to be simply indecency and bad taste.'