‘Well,’ said Claude one morning, ‘you’ll be rewarded; she’ll leave you her money.’
Christine looked astonished. ‘Do you think so? It is said that she is worth three millions of francs. No, no, I have never dreamt of such a thing, and I won’t. What would become of me?’
Claude had averted his head, and hastily replied, ‘Well, you’d become rich, that’s all. But no doubt she’ll first of all marry you off—’
On hearing this, Christine could hold out no longer, but burst into laughter. ‘To one of her old friends, eh? perhaps the general who has a silver chin. What a good joke!’
So far they had gone no further than chumming like old friends. He was almost as new to life as she, having had nothing but chance adventures, and living in an ideal world of his own, fanciful amid romantic amours. To see each other in secret like this, from pure friendship, without anything more tender passing between them than a cordial shake of the hand at her arrival, and another one when she left, seemed to them quite natural. Still for her part she scented that he was shy, and at times she looked at him fixedly, with the wondering perturbation of unconscious passion. But as yet nothing ardent or agitating spoilt the pleasure they felt in being together. Their hands remained cool; they spoke cheerfully on all subjects; they sometimes argued like friends, who feel sure they will not fall out. Only, this friendship grew so keen that they could no longer live without seeing one another.
The moment Christine came, Claude took the key from outside the door. She herself insisted upon this, lest somebody might disturb them. After a few visits she had taken absolute possession of the studio. She seemed to be at home there. She was tormented by a desire to make the place a little more tidy, for such disorder worried her and made her uncomfortable. But it was not an easy matter. The painter had strictly forbidden Madame Joseph to sweep up things, lest the dust should get on the fresh paint. So, on the first occasions when his companion attempted to clean up a bit, he watched her with anxious entreating eyes. What was the good of changing the place of things? Didn’t it suffice to have them at hand? However, she exhibited such gay determination, she seemed so happy at playing the housewife, that he let her have her own way at last. And now, the moment she had arrived and taken off her gloves, she pinned up her dress to avoid soiling it, and set the big studio in order in the twinkling of an eye. There was no longer a pile of cinders before the stove; the screen hid the bedstead and the washstand; the couch was brushed, the wardrobe polished; the deal table was cleared of the crockery, and had not a stain of paint; and above the chairs, which were symmetrically arranged, and the spanned easels propped against the walls, the big cuckoo clock, with full-blown pink flowers on its dial, seemed to tick more sonorously. Altogether it was magnificent; one would not have recognised the place. He, stupefied, watched her trotting to and fro, twisting about and singing as she went. Was this then the lazybones who had such dreadful headaches at the least bit of work? But she laughed; at headwork, yes; but exertion with her hands and feet did her good, seemed to straighten her like a young sapling. She confessed, even as she would have confessed some depraved taste, her liking for lowly household cares; a liking which had greatly worried her mother, whose educational ideal consisted of accomplishments, and who would have made her a governess with soft hands, touching nothing vulgar. How Christine had been chided indeed whenever she was caught, as a little girl, sweeping, dusting, and playing delightedly at being cook! Even nowadays, if she had been able to indulge in a bout with the dust at Madame Vanzade’s, she would have felt less bored. But what would they have said to that? She would no longer have been considered a lady. And so she came to satisfy her longings at the Quai de Bourbon, panting with the exercise, all aglow, her eyes glistening with a woman’s delight at biting into forbidden fruit.
Claude by this time grew conscious of having a woman’s care around him. In order to make her sit down and chat quietly, he would ask her now and then to sew a torn cuff or coat-tail. She herself had offered to look over his linen; but it was no longer with the ardour of a housewife, eager to be up and doing. First of all, she hardly knew how to work; she held her needle like a girl brought up in contempt of sewing. Besides, the enforced quiescence and the attention that had to be given to such work, the small stitches which had to be looked to one by one, exasperated her. Thus the studio was bright with cleanliness like a drawing-room, but Claude himself remained in rags, and they both joked about it, thinking it great fun.
How happy were those months that they spent together, those four months of frost and rain whiled away in the studio, where the red-hot stove roared like an organ-pipe! The winter seemed to isolate them from the world still more. When the snow covered the adjacent roofs, when the sparrows fluttered against the window, they smiled at feeling warm and cosy, at being lost, as it were, amidst the great silent city. But they did not always confine themselves to that one little nook, for she allowed him at last to see her home. For a long while she had insisted upon going away by herself, feeling ashamed of being seen in the streets on a man’s arm. Then, one day when the rain fell all of a sudden, she was obliged to let him come downstairs with an umbrella. The rain having ceased almost immediately, she sent him back when they reached the other side of the Pont Louis-Philippe. They only remained a few moments beside the parapet, looking at the Mail, and happy at being together in the open air. Down below, large barges, moored against the quay, and full of apples, were ranged four rows deep, so close together that the planks thrown across them made a continuous path for the women and children running to and fro. They were amused by the sight of all that fruit, those enormous piles littering the banks, the round baskets which were carried hither and thither, while a strong odour, suggestive of cider in fermentation, mingled with the moist gusts from the river.
A week later, when the sun again showed itself, and Claude extolled the solitude of the quays round the Isle Saint Louis, Christine consented to take a walk. They strolled up the Quai de Bourbon and the Quai d’Anjou, pausing at every few steps and growing interested in the various scenes of river life; the dredger whose buckets grated against their chains, the floating wash-house, which resounded with the hubbub of a quarrel, and the steam cranes busy unloading the lighters. She did not cease to wonder at one thought which came to her. Was it possible that yonder Quai des Ormes, so full of life across the stream, that this Quai Henri IV., with its broad embankment and lower shore, where bands of children and dogs rolled over in the sand, that this panorama of an active, densely-populated capital was the same accursed scene that had appeared to her for a moment in a gory flash on the night of her arrival? They went round the point of the island, strolling more leisurely still to enjoy the solitude and tranquillity which the old historic mansions seem to have implanted there. They watched the water seething between the wooden piles of the Estacade, and returned by way of the Quai de Béthune and the Quai d’Orléans, instinctively drawn closer to each other by the widening of the stream, keeping elbow to elbow at sight of the vast flow, with their eyes fixed on the distant Halle aux Vins and the Jardin des Plantes. In the pale sky, the cupolas of the public buildings assumed a bluish hue. When they reached the Pont St. Louis, Claude had to point out Notre-Dame by name, for Christine did not recognise the edifice from the rear, where it looked like a colossal creature crouching down between its flying buttresses, which suggested sprawling paws, while above its long leviathan spine its towers rose like a double head. Their real find that day, however, was at the western point of the island, that point like the prow of a ship always riding at anchor, afloat between two swift currents, in sight of Paris, but ever unable to get into port. They went down some very steep steps there, and discovered a solitary bank planted with lofty trees. It was a charming refuge—a hermitage in the midst of a crowd. Paris was rumbling around them, on the quays, on the bridges, while they at the water’s edge tasted the delight of being alone, ignored by the whole world. From that day forth that bank became a little rustic coign of theirs, a favourite open-air resort, where they took advantage of the sunny hours, when the great heat of the studio, where the red-hot stove kept roaring, oppressed them too much, filling their hands with a fever of which they were afraid.
Nevertheless, Christine had so far objected to be accompanied farther than the Mail. At the Quai des Ormes she always bade Claude go back, as if Paris, with her crowds and possible encounters, began at the long stretch of quays which she had to traverse on her way home. But Passy was so far off, and she felt so dull at having to go such a distance alone, that gradually she gave way. She began by allowing Claude to see her as far as the Hôtel de Ville; then as far as the Pont-Neuf; at last as far as the Tuileries. She forgot the danger; they walked arm in arm like a young married couple; and that constantly repeated promenade, that leisurely journey over the self-same ground by the river side, acquired an infinite charm, full of a happiness such as could scarcely be surpassed in after-times. They truly belonged to each other, though they had not erred. It seemed as if the very soul of the great city, rising from the river, wrapped them around with all the love that had throbbed behind the grey stone walls through the long lapse of ages.