Then came a string of ballads; Madame Boche’s barcarolle was all about Venice and the gondoliers; Madame Lorilleux sang of Seville and the Andalusians in her bolero; whilst Lorilleux went so far as to allude to the perfumes of Arabia, in reference to the loves of Fatima the dancer.
Golden horizons were opening up all around the heavily laden table. The men were smoking their pipes and the women unconsciously smiling with pleasure. All were dreaming they were far away.
Clemence began to sing softly “Let’s Make a Nest” with a tremolo in her voice which pleased them greatly for it made them think of the open country, of songbirds, of dancing beneath an arbor, and of flowers. In short, it made them think of the Bois de Vincennes when they went there for a picnic.
But Virginie revived the joking with “My Little Drop of Brandy.” She imitated a camp follower, with one hand on her hip, the elbow arched to indicate the little barrel; and with the other hand she poured out the brandy into space by turning her fist round. She did it so well that the party then begged mother Coupeau to sing “The Mouse.” The old woman refused, vowing that she did not know that naughty song. Yet she started off with the remnants of her broken voice; and her wrinkled face with its lively little eyes underlined the allusions, the terrors of Mademoiselle Lise drawing her skirts around her at the sight of a mouse. All the table laughed; the women could not keep their countenances, and continued casting bright glances at their neighbors; it was not indecent after all, there were no coarse words in it. All during the song Boche was playing mouse up and down the legs of the lady coal-dealer. Things might have gotten a bit out of line if Goujet, in response to a glance from Gervaise, had not brought back the respectful silence with “The Farewell of Abdul-Kader,” which he sang out loudly in his bass voice. The song rang out from his golden beard as if from a brass trumpet. All the hearts skipped a beat when he cried, “Ah, my noble comrade!” referring to the warrior’s black mare. They burst into applause even before the end.
“Now, Pere Bru, it’s your turn!” said mother Coupeau. “Sing your song. The old ones are the best any day!”
And everybody turned towards the old man, pressing him and encouraging him. He, in a state of torpor, with his immovable mask of tanned skin, looked at them without appearing to understand. They asked him if he knew the “Five Vowels.” He held down his head; he could not recollect it; all the songs of the good old days were mixed up in his head. As they made up their minds to leave him alone, he seemed to remember, and began to stutter in a cavernous voice:
“Trou la la, trou la la,
Trou la, trou la, trou la la!”
His face assumed an animated expression, this chorus seemed to awake some far-off gaieties within him, enjoyed by himself alone, as he listened with a childish delight to his voice which became more and more hollow.
“Say there, my dear,” Virginie came and whispered in Gervaise’s ear, “I’ve just been there again, you know. It worried me. Well! Lantier has disappeared from Francois’s.”
“You didn’t meet him outside?” asked the laundress.