He gave a spring into the air and fell upon his side. Then a dreadful scene ensued. He began to writhe like a worm, beat his face with his fist, and tore his flesh with his nails. In a short time he was half naked, his clothes in rags, and himself bruised and lacerated and groaning.
'Come away, madame, come away!' cried the warder.
Marthe stood rooted to the floor. She recognised in the scene before her her own writhings at home. It was in that way that she had thrown herself upon the floor of her bedroom; it was in that way that she had beaten and torn herself. She even recognised the very tones of her voice. Mouret vented the same rattling groan. It was she who had brought the poor man into this miserable state.
'He is not mad!' she stammered; 'he cannot be mad, it would be too horrible! I would rather die!'
The warder put his arm round her and pushed her out of the cell, but she remained leaning against the door on the other side. She could hear a terrible struggle going on within, screams like those of a pig being slaughtered; then a dull fall like that of a bundle of damp linen, and afterwards death-like silence. When the warder came out of the cell, the night had nearly fallen. Through the partially open doorway, Marthe could see nothing.
'Well, upon my word, madame,' cried the warder, 'you are a very queer person to say that he is not mad. I nearly left my thumb behind me; he got firmly hold of it between his teeth. However, he's quieted now for a few hours.'
And as he took her back to her uncle, he continued:
'You've no idea how cunning they all are. They are as quiet as can be for hours together, and talk to you in quite a sensible manner; and then, without the least warning, they fly at your throat. I could see very well that he was up to some mischief or other just now when he was talking to you about the children, for there was such a strange look in his eyes.'
When Marthe got back to Macquart, in the small courtyard, she exclaimed feverishly in a weak, broken voice:
'He is mad! he is mad!'