“Be careful, my dear,” said Hubertine, continuing to tease her. “You will make your guardian angel, Saint Agnes, weep. Do not you know that she refused the son of the Governor, and preferred to die, that she might be wedded to Jesus?”
The great clock of the belfry began to strike; numbers of sparrows flew down from an enormous ivy-plant which framed one of the windows of the apse. In the workroom, Hubert, still silent, had just hung up the banner, moist from the glue, that it might dry, on one of the great iron hooks fastened to the wall.
The sun in the course of the morning had lightened up different parts of the room, and now it shone brightly upon the old tools—the diligent, the wicker winder, and the brass chandelier—and as its rays fell upon the two workers, the frame at which they were seated seemed almost on fire, with its bands polished by use, and with the various objects placed upon it, the reels of gold cord, the spangles, and the bobbins of silk.
Then, in this soft, charming air of spring, Angelique looked at the beautiful symbolic lily she had just finished. Opening wide her ingenuous eyes, she replied, with an air of confiding happiness, to Hubertine’s last remark in regard to the child-martyr, Saint Agnes:
“Ah, yes! But it was Jesus who wished it to be so.”
CHAPTER V
Notwithstanding her thoroughly cheerful nature, Angelique liked solitude; and it was to her the greatest of recreations to be alone in her room, morning and evening. There she gave herself up to her thoughts; there she indulged to the full scope in her most joyous fancies. Sometimes even during the day, when she could go there for a moment, she was as happy as if, in full freedom, she had committed some childish prank.
The chamber was very large, taking in at least half of the upper story, the other half being the garret. It was whitewashed everywhere; not only the walls and the beams, but the joists, even to the visible copings of the mansard part of the roof; and in this bare whiteness, the old oaken furniture seemed almost as black as ebony. At the time of the decoration of the sleeping-room below, and the improvements made in the parlour, the ancient furniture, which had been bought at various epochs, had been carried upstairs. There was a great carved chest of the Renaissance period, a table and chairs which dated from the reign of Louis XIII., an enormous bedstead, style Louis XIV., and a very handsome wardrobe, Louis XV. In the middle of these venerable old things a white porcelain stove, and the little toilet-table, covered with a pretty oilcloth, seemed out of place and to mar the dull harmony. Curtained with an old-fashioned rose-coloured chintz, on which were bouquets of heather, so faded that the colour had become a scarcely perceptible pink, the enormous bedstead preserved above all the majesty of its great age.
But what pleased Angelique more than anything else was the little balcony on which the window opened. Of the two original windows, one of them, that at the left, had been closed by simply fastening it with nails, and the balcony, which formerly extended across the front of the building, was now only before the window at the right. As the lower beams were still strong, a new floor had been made, and above it an iron railing was firmly attached in place of the old worm-eaten wooden balustrade. This made a charming little corner, a quiet nook under the gable point, the leaden laths of which had been renewed at the beginning of the century. By bending over a little, the whole garden-front of the house could be seen in a very dilapidated state, with its sub-basement of little cut stones, its panels ornamented with imitation bricks, and its large bay window, which to-day had been made somewhat smaller. The roof of the great porch of the kitchen-door was covered with zinc. And above, the interduces of the top, which projected three feet or more, were strengthened by large, upright pieces of wood, the ends of which rested on the string-course of the first floor. All this gave to the balcony an appearance of being in a perfect vegetation of timber, as if in the midst of a forest of old wood, which was green with wallflowers and moss.
Since she occupied the chamber, Angelique had spent many hours there, leaning over the balustrade and simply looking. At first, directly under her was the garden, darkened by the eternal shade of the evergreen box-trees; in the corner nearest the church, a cluster of small lilac-bushes surrounded an old granite bench; while in the opposite corner, half hidden by a beautiful ivy which covered the whole wall at the end as if with a mantle, was a little door opening upon the Clos-Marie, a vast, uncultivated field. This Clos-Marie was the old orchard of the monks. A rivulet of purest spring-water crossed it, the Chevrotte, where the women who occupied the houses in the neighbourhood had the privilege of washing their linen; certain poor people sheltered themselves in the ruins of an old tumble-down mill; and no other persons inhabited this field, which was connected with the Rue Magloire simply by the narrow lane of the Guerdaches, which passed between the high walls of the Bishop’s Palace and those of the Hotel Voincourt. In summer, the centenarian elms of the two parks barred with their green-leaved tops the straight, limited horizon which in the centre was cut off by the gigantic brow of the Cathedral. Thus shut in on all sides, the Clos-Marie slept in the quiet peace of its abandonment, overrun with weeds and wild grass, planted with poplars and willows sown by the wind. Among the great pebbles the Chevrotte leaped, singing as it went, and making a continuous music as if of crystal.