At length he pushed open the door of a little pavilion, and said to her: “Go in; this is my home.”
It was there that his father had seen fit to install him all by himself, in this distant corner of the park. On the first floor there was a hall, and one very large room, which was now lighted by a great lamp. Above was a complete little apartment.
“You can see for yourself,” he continued smilingly, “that you are at the house of an artisan. This is my shop.”
It was a working-room indeed; the caprice of a wealthy young man, who amused himself in his leisure hours by painting on glass. He had re-found the ancient methods of the thirteenth century, so that he could fancy himself as being one of the primitive glass-workers, producing masterpieces with the poor, unfinished means of the older time. An ancient table answered all his purposes. It was coated with moist, powdered chalk, upon which he drew his designs in red, and where he cut the panes with heated irons, disdaining the modern use of a diamond point. The muffle, a little furnace made after the fashion of an old model, was just now quite heated; the baking of some picture was going on, which was to be used in repairing another stained window in the Cathedral; and in cases on every side were glasses of all colours which he had ordered to be made expressly for him, in blue, yellow, green, and red, in many lighter tints, marbled, smoked, shaded, pearl-coloured, and black. But the walls of the room were hung with admirable stuffs, and the working materials disappeared in the midst of a marvellous luxury of furniture. In one corner, on an old tabernacle which served as a pedestal, a great gilded statue of the Blessed Virgin seemed to smile upon them.
“So you can work—you really can work,” repeated Angelique with childish joy.
She was very much amused with the little furnace, and insisted upon it that he should explain to her everything connected with his labour. Why he contented himself with the examples of the old masters, who used glass coloured in the making, which he shaded simply with black; the reason he limited himself to little, distinct figures, to the gestures and draperies of which he gave a decided character; his ideas upon the art of the glass-workers, which in reality declined as soon as they began to design better, to paint, and to enamel it; and his final opinion that a stained-glass window should be simply a transparent mosaic, in which the brightest colours should be arranged in the most harmonious order, so as to make a delicate, shaded bouquet. But at this moment little did she care for the art in itself. These things had but one interest for her now—that they were connected with him, that they seemed to bring her nearer to him and to strengthen the tie between them.
“Oh!” she exclaimed, “how happy we shall be together. You will paint, while I embroider.”
He had just retaken her hands, in the centre of this great room, in the luxury of which she was quite at her ease, as it seemed to be her natural surrounding, where her grace would be fully developed. Both of them remained silent for a moment. Then she was, as usual, the first to speak.
“Now everything is decided upon, is it not?”
“What?” he smilingly asked, “what do you mean?”