“Well, I beat it, and beat it, and beat it,” continued the young man, whisking his hand about as though he were whipping cream. “And then, when I take my hand out and look at it, it ought to be greased, as it were, by the blood and equally coated all over. And if that’s the case, anyone can say without fear of mistake that the black-puddings will be good.”
He remained for a moment in an easy attitude, complacently holding his hand in the air. This hand, which spent so much of its time in pails of blood, had brightly gleaming nails, and looked very rosy above his white sleeve. Quenu had nodded his head in approbation, and an interval of silence followed. Leon was still mincing. Pauline, however, after remaining thoughtful for a little while, mounted upon Florent’s feet again, and in her clear voice exclaimed: “I say, cousin, tell me the story of the gentleman who was eaten by the wild beasts!”
It was probably the mention of the pig’s blood which had aroused in the child’s mind the recollection of “the gentleman who had been eaten by the wild beasts.” Florent did not at first understand what she referred to, and asked her what gentleman she meant. Lisa began to smile.
“She wants you to tell her,” she said, “the story of that unfortunate man—you know whom I mean—which you told to Gavard one evening. She must have heard you.”
At this Florent grew very grave. The little girl got up, and taking the big cat in her arms, placed it on his knees, saying that Mouton also would like to hear the story. Mouton, however, leapt on to the table, where, with rounded back, he remained contemplating the tall, scraggy individual who for the last fortnight had apparently afforded him matter for deep reflection. Pauline meantime began to grow impatient, stamping her feet and insisting on hearing the story.
“Oh, tell her what she wants,” said Lisa, as the child persisted and became quite unbearable; “she’ll leave us in peace then.”
Florent remained silent for a moment longer, with his eyes turned towards the floor. Then slowly raising his head he let his gaze rest first on the two women who were plying their needles, and next on Quenu and Auguste, who were preparing the pot for the black-puddings. The gas was burning quietly, the stove diffused a gentle warmth, and all the grease of the kitchen glistened in an atmosphere of comfort such as attends good digestion
Then, taking little Pauline upon his knee, and smiling a sad smile, Florent addressed himself to the child as follows[*]:—
[*] Florent’s narrative is not romance, but is based on the statements of several of the innocent victims whom the third Napoleon transported to Cayenne when wading through blood to the power which he so misused.—Translator.
“Once upon a time there was a poor man who was sent away, a long, long way off, right across the sea. On the ship which carried him were four hundred convicts, and he was thrown among them. He was forced to live for five weeks amidst all those scoundrels, dressed like them in coarse canvas, and feeding at their mess. Foul insects preyed on him, and terrible sweats robbed him of all his strength. The kitchen, the bakehouse, and the engine-room made the orlop deck so terribly hot that ten of the convicts died from it. In the daytime they were sent up in batches of fifty to get a little fresh air from the sea; and as the crew of the ship feared them, a couple of cannons were pointed at the little bit of deck where they took exercise. The poor fellow was very glad indeed when his turn to go up came. His terrible perspiration then abated somewhat; still, he could not eat, and felt very ill. During the night, when he was manacled again, and the rolling of the ship in the rough sea kept knocking him against his companions, he quite broke down, and began to cry, glad to be able to do so without being seen.”