“Very good. You will certainly find my wife there; she is to take the children there.” Then he paused, for he too had just seen Gérard; and he called him: “I say, Gérard, my wife said that she was going to that matinée, didn’t she? You feel sure—don’t you?—that Monsieur l’Abbé will find her there?”
Although the young man was then going to the Rue Matignon, there to wait for Eve, it was in the most natural manner possible that he replied: “If Monsieur l’Abbé makes haste, I think he will find her there, for she was certainly going there before trying on a corsage at Salmon’s.”
Then he kissed Silviane’s hand, and went off with the air of a handsome, indolent man, who knows no malice, and is even weary of pleasure.
Pierre, feeling rather embarrassed, was obliged to let Duvillard introduce him to the mistress of the house. He bowed in silence, whilst she, likewise silent, returned his bow with modest reserve, the tact appropriate to the occasion, such as no ingénue, even at the Comédie, was then capable of. And while the Baron accompanied the priest to the door, she returned to the salon with Duthil, who was scarcely screened by the door-curtain before he passed his arm round her waist.
When Pierre, who at last felt confident of success, found himself, still in his cab, in front of the Princess de Harn’s mansion in the Avenue Kleber, he suddenly relapsed into great embarrassment. The avenue was crowded with carriages brought thither by the musical matinée, and such a throng of arriving guests pressed round the entrance, decorated with a kind of tent with scallopings of red velvet, that he deemed the house unapproachable. How could he manage to get in? And how in his cassock could he reach the Princess, and ask for a minute’s conversation with Baroness Duvillard? Amidst all his feverishness he had not thought of these difficulties. However, he was approaching the door on foot, asking himself how he might glide unperceived through the throng, when the sound of a merry voice made him turn: “What, Monsieur l’Abbé! Is it possible! So now I find you here!”
It was little Massot who spoke. He went everywhere, witnessed ten sights a day,—a parliamentary sitting, a funeral, a wedding, any festive or mourning scene,—when he wanted a good subject for an article. “What! Monsieur l’Abbé,” he resumed, “and so you have come to our amiable Princess’s to see the Mauritanians dance!”
He was jesting, for the so-called Mauritanians were simply six Spanish dancing-girls, who by the sensuality of their performance were then making all Paris rush to the Folies-Bergère. For drawing-room entertainments these girls reserved yet more indecorous dances—dances of such a character indeed that they would certainly not have been allowed in a theatre. And the beau monde rushed to see them at the houses of the bolder lady-entertainers, the eccentric and foreign ones like the Princess, who in order to draw society recoiled from no “attraction.”
But when Pierre had explained to little Massot that he was still running about on the same business, the journalist obligingly offered to pilot him. He knew the house, obtained admittance by a back door, and brought Pierre along a passage into a corner of the hall, near the very entrance of the grand drawing-room. Lofty green plants decorated this hall, and in the spot selected Pierre was virtually hidden. “Don’t stir, my dear Abbé,” said Massot, “I will try to ferret out the Princess for you. And you shall know if Baroness Duvillard has already arrived.”
What surprised Pierre was that every window-shutter of the mansion was closed, every chink stopped up so that daylight might not enter, and that every room flared with electric lamps, an illumination of supernatural intensity. The heat was already very great, the atmosphere heavy with a violent perfume of flowers and odore di femina. And to Pierre, who felt both blinded and stifled, it seemed as if he were entering one of those luxurious, unearthly Dens of the Flesh such as the pleasure-world of Paris conjures from dreamland. By rising on tiptoes, as the drawing-room entrance was wide open, he could distinguish the backs of the women who were already seated, rows of necks crowned with fair or dark hair. The Mauritanians were doubtless executing their first dance. He did not see them, but he could divine the lascivious passion of the dance from the quiver of all those women’s necks, which swayed as beneath a great gust of wind. Then laughter arose and a tempest of bravos, quite a tumult of enjoyment.
“I can’t put my hand on the Princess; you must wait a little,” Massot returned to say. “I met Janzen and he promised to bring her to me. Don’t you know Janzen?”