Hope, however, proved stronger than sorrow or pain, and although all the sufferings there assembled awoke and grew again, irritated by overwhelming weariness, a song of joy nevertheless proclaimed the sufferers’ triumphal entry into the Land of Miracles. Amidst the tears which their pains drew from them, the exasperated and howling sick began to chant the “Ave maris Stella” with a growing clamour in which lamentation finally turned into cries of hope.
Marie had again taken Pierre’s hand between her little feverish fingers. “Oh, /mon Dieu!/” said she, “to think that poor man is dead, and I feared so much that it was I who would die before arriving. And we are there—there at last!”
The priest was trembling with intense emotion. “It means that you are to be cured, Marie,” he replied, “and that I myself shall be cured if you pray for me—”
The engine was now whistling in a yet louder key in the depths of the bluish darkness. They were nearing their destination. The lights of Lourdes already shone out on the horizon. Then the whole train again sang a canticle—the rhymed story of Bernadette, that endless ballad of six times ten couplets, in which the Angelic Salutation ever returns as a refrain, all besetting and distracting, opening to the human mind the portals of the heaven of ecstasy:—
“It was the hour for ev’ning pray’r;
Soft bells chimed on the chilly air.
Ave, ave, ave Maria!
“The maid stood on the torrent’s bank,
A breeze arose, then swiftly sank.
Ave, ave, ave Maria!
“And she beheld, e’en as it fell,
The Virgin on Massabielle.
Ave, ave, ave Maria!
“All white appeared the Lady chaste,
A zone of Heaven round her waist.
Ave, ave, ave Maria!
“Two golden roses, pure and sweet,
Bloomed brightly on her naked feet.
Ave, ave, ave Maria!
“Upon her arm, so white and round,
Her chaplet’s milky pearls were wound.
Ave, ave, ave Maria!