Mere-Grand, left to herself, quietly continued sewing, without a thought that the manufacture of Guillaume’s powder was drawing to an end in an apparatus near her. A couple of minutes later, however, when Guillaume came back, saying that he had made a mistake, his eyes suddenly rested on his furnace, and he turned quite livid. Brief as had been his absence the exact moment when it was necessary to turn off a tap in order that no danger might attend the preparation of his powder had already gone by; and now, unless someone should dare to approach that terrible tap, and boldly turn it, a fearful explosion might take place. Doubtless it was too late already, and whoever might have the bravery to attempt the feat would be blown to pieces.
Guillaume himself had often run a similar risk of death with perfect composure. But on this occasion he remained as if rooted to the floor, unable to take a step, paralysed by the dread of annihilation. He shuddered and stammered in momentary expectation of a catastrophe which would hurl the work-shop to the heavens.
“Mere-Grand, Mere-Grand,” he stammered. “The apparatus, the tap... it is all over, all over!”
The old woman had raised her head without as yet understanding him. “Eh, what?” said she; “what is the matter with you?” Then, on seeing how distorted were his features, how he recoiled as if mad with terror, she glanced at the furnace and realised the danger. “Well, but it’s simple enough,” said she; “it’s only necessary to turn off the tap, eh?”
Thereupon, without any semblance of haste, in the most easy and natural manner possible, she deposited her needlework on a little table, rose from her chair, and turned off the tap with a light but firm hand. “There! it’s done,” said she. “But why didn’t you do it yourself, my friend?”
He had watched her in bewilderment, chilled to the bones, as if touched by the hand of death. And when some colour at last returned to his cheeks, and he found himself still alive in front of the apparatus whence no harm could now come, he heaved a deep sigh and again shuddered. “Why did I not turn it off?” he repeated. “It was because I felt afraid.”
At that very moment Marie and Pierre came into the work-shop all chatter and laughter, delighted with their excursion, and bringing with them the bright joyousness of the sunlight. The three brothers, Thomas, Francis and Antoine, were jesting with them, and trying to make them confess that Pierre had at least fought a battle with a cow on the high road, and ridden into a cornfield. All at once, however, they became quite anxious, for they noticed that their father looked terribly upset.
“My lads,” said he, “I’ve just been a coward. Ah! it’s a curious feeling, I had never experienced it before.”
Thereupon he recounted his fears of an accident, and how quietly Mere-Grand had saved them all from certain death. She waved her hand, however, as if to say that there was nothing particularly heroic in turning off a tap. The young men’s eyes nevertheless filled with tears, and one after the other they went to kiss her with a fervour instinct with all the gratitude and worship they felt for her. She had been devoting herself to them ever since their infancy, she had now just given them a new lease of life. Marie also threw herself into her arms, kissing her with gratitude and emotion. Mere-Grand herself was the only one who did not shed tears. She strove to calm them, begging them to exaggerate nothing and to remain sensible.
“Well, you must at all events let me kiss you as the others have done,” Guillaume said to her, as he recovered his self-possession. “I at least owe you that. And Pierre, too, shall kiss you, for you are now as good for him as you have always been for us.”