However, he corrected himself with a gleam of disdain in his clear, harsh eyes: “After all, there’s no telling. Salvat is a man of sentiment.”
Then Bache, who was quite upset by the news of the explosion, tried to think how his friend Guillaume, to whom he was much attached, might be extricated from any charge of complicity should he be denounced. And Guillaume, at sight of Janzen’s contemptuous coldness, must have suffered keenly, for the other evidently believed him to be trembling, tortured by the one desire to save his own skin. But what could he say, how could he reveal the deep concern which rendered him so feverish without betraying the secret which he had hidden even from his brother?
However, at this moment Sophie came to tell her master that M. Theophile Morin had called with another gentleman. Much astonished by this visit at so late an hour, Pierre hastened into the next room to receive the new comers. He had become acquainted with Morin since his return from Rome, and had helped him to introduce a translation of an excellent scientific manual, prepared according to the official programmes, into the Italian schools.* A Franc-Comtois by birth, a compatriot of Proudhon, with whose poor family he had been intimate at Besancon, Morin, himself the son of a journeyman clockmaker, had grown up with Proudhonian ideas, full of affection for the poor and an instinctive hatred of property and wealth. Later on, having come to Paris as a school teacher, impassioned by study, he had given his whole mind to Auguste Comte. Beneath the fervent Positivist, however, one might yet find the old Proudhonian, the pauper who rebelled and detested want. Moreover, it was scientific Positivism that he clung to; in his hatred of all mysticism he would have naught to do with the fantastic religious leanings of Comte in his last years. And in Morin’s brave, consistent, somewhat mournful life, there had been but one page of romance: the sudden feverish impulse which had carried him off to fight in Sicily by Garibaldi’s side. Afterwards he had again become a petty professor in Paris, obscurely earning a dismal livelihood.
* See M. Zola’s “Rome,” Chapters IV. and XVI.
When Pierre returned to the bedroom he said to his brother in a tone of emotion: “Morin has brought me Barthes, who fancies himself in danger and asks my hospitality.”
At this Guillaume forgot himself and became excited: “Nicholas Barthes, a hero with a soul worthy of antiquity. Oh! I know him; I admire and love him. You must set your door open wide for him.”
Bache and Janzen, however, had glanced at one another smiling. And the latter, with his cold ironical air, slowly remarked: “Why does Monsieur Barthes hide himself? A great many people think he is dead; he is simply a ghost who no longer frightens anybody.”
Four and seventy years of age as he now was, Barthes had spent nearly half a century in prison. He was the eternal prisoner, the hero of liberty whom each successive Government had carried from citadel to fortress. Since his youth he had been marching on amidst his dream of fraternity, fighting for an ideal Republic based on truth and justice, and each and every endeavour had led him to a dungeon; he had invariably finished his humanitarian reverie under bolts and bars. Carbonaro, Republican, evangelical sectarian, he had conspired at all times and in all places, incessantly struggling against the Power of the day, whatever it might be. And when the Republic at last had come, that Republic which had cost him so many years of gaol, it had, in its own turn, imprisoned him, adding fresh years of gloom to those which already had lacked sunlight. And thus he remained the martyr of freedom: freedom which he still desired in spite of everything; freedom, which, strive as he might, never came, never existed.
“But you are mistaken,” replied Guillaume, wounded by Janzen’s raillery. “There is again a thought of getting rid of Barthes, whose uncompromising rectitude disturbs our politicians; and he does well to take his precautions!”
Nicholas Barthes came in, a tall, slim, withered old man, with a nose like an eagle’s beak, and eyes that still burned in their deep sockets, under white and bushy brows. His mouth, toothless but still refined, was lost to sight between his moustaches and snowy beard; and his hair, crowning him whitely like an aureola, fell in curls over his shoulders. Behind him with all modesty came Theophile Morin, with grey whiskers, grey, brush-like hair, spectacles, and yellow, weary mien—that of an old professor exhausted by years of teaching. Neither of them seemed astonished or awaited an explanation on finding that man in bed with an injured wrist. And there were no introductions: those who were acquainted merely smiled at one another.