"Ah!" she replied with equanimity. "You consider me a bourgeoise, I see. Your opinion is that a simple little dinner and a modest gown would have shown better taste. But ah! my dear fellow, you don't know the way to get round men!"

Duvillard signified his approval, for he was delighted to be able to show her in all her glory, adorned like an idol. Fonsegue, for his part, talked of diamonds, saying that they were now doubtful investments, as the day when they would become articles of current manufacture was fast approaching, thanks to the electrical furnace and other inventions. Meantime Duthil, with an air of ecstasy and the dainty gestures of a lady's maid, hovered around the young woman, either smoothing a rebellious bow or arranging some fold of her lace.

"But I say," resumed Silviane, "your critic seems to be an ill-bred man, for he's keeping us waiting."

Indeed, the critic arrived a quarter of an hour late, and while apologising, he expressed his regret that he should be obliged to leave at half-past nine, for he was absolutely compelled to put in an appearance at a little theatre in the Rue Pigalle. He was a big fellow of fifty with broad shoulders and a full, bearded face. His most disagreeable characteristic was the narrow dogmatic pedantry which he had acquired at the Ecole Normale, and had never since been able to shake off. All his herculean efforts to be sceptical and frivolous, and the twenty years he had spent in Paris mingling with every section of society, had failed to rid him of it. Magister he was, and magister he remained, even in his most strenuous flights of imagination and audacity. From the moment of his arrival he tried to show himself enraptured with Silviane. Naturally enough, he already knew her by sight, and had even criticised her on one occasion in five or six contemptuous lines. However, the sight of her there, in full beauty, clad like a queen, and presented by four influential protectors, filled him with emotion; and he was struck with the idea that nothing would be more Parisian and less pedantic than to assert she had some talent and give her his support.

They had seated themselves at table, and the repast proved a magnificent one, the service ever prompt and assiduous, an attendant being allotted to each diner. While the flowers scattered their perfumes through the room, and the plate and crystal glittered on the snowy cloth, an abundance of delicious and unexpected dishes were handed round—a sturgeon from Russia, prohibited game, truffles as big as eggs, and hothouse vegetables and fruit as full of flavour as if they had been naturally matured. It was money flung out of window, simply for the pleasure of wasting more than other people, and eating what they could not procure. The influential critic, though he displayed the ease of a man accustomed to every sort of festivity, really felt astonished at it all, and became servile, promising his support, and pledging himself far more than he really wished to. Moreover, he showed himself very gay, found some witty remarks to repeat, and even some rather ribald jests. But when the champagne appeared after the roast and the grand burgundies, his over-excitement brought him back perforce to his real nature. The conversation had now turned on Corneille's "Polyeucte" and the part of "Pauline," in which Silviane wished to make her debut at the Comedie Francaise. This extraordinary caprice, which had quite revolted the influential critic a week previously, now seemed to him simply a bold enterprise in which the young woman might even prove victorious if she consented to listen to his advice. And, once started, he delivered quite a lecture on the past, asserting that no actress had ever yet understood it properly, for at the outset Pauline was simply a well-meaning little creature of the middle classes, and the beauty of her conversion at the finish arose from the working of a miracle, a stroke of heavenly grace which endowed her with something divine. This was not the opinion of Silviane, who from the first lines regarded Pauline as the ideal heroine of some symbolical legend. However, as the critic talked on and on, she had to feign approval; and he was delighted at finding her so beautiful and docile beneath his ferule. At last, as ten o'clock was striking, he rose and tore out of the hot and reeking room in order to do his work.

"Ah! my dears," cried Silviane, "he's a nice bore is that critic of yours! What a fool he is with his idea of Pauline being a little bourgeoise! I would have given him a fine dressing if it weren't for the fact that I have some need of him. Ah! no, it's too idiotic! Pour me out a glass of champagne. I want something to set me right after all that!"

The fete then took quite an intimate turn between the four men who remained and that bare-armed, bare-breasted girl, covered with diamonds; while from the neighbouring passages and rooms came bursts of laughter and sounds of kissing, all the stir and mirth of the debauchery now filling the house. And beneath the windows torrents of vehicles and pedestrians streamed along the Boulevards where reigned the wild fever of pleasure and harlotry.

"No, don't open it, or I shall catch cold!" resumed Silviane, addressing Fonsegue as he stepped towards the window. "Are you so very warm, then? I'm just comfortable. . . . But, Duvillard, my good fellow, please order some more champagne. It's wonderful what a thirst your critic has given me!"

Amidst the blinding glare of the lamps and the perfume of the flowers and wines, one almost stifled in the room. And Silviane was seized with an irresistible desire for a spree, a desire to tipple and amuse herself in some vulgar fashion, as in her bygone days. A few glasses of champagne brought her to full pitch, and she showed the boldest and giddiest gaiety. The others, who had never before seen her so lively, began on their own side to feel amused. As Fonsegue was obliged to go to his office she embraced him "like a daughter," as she expressed it. However, on remaining alone with the others she indulged in great freedom of speech, which became more and more marked as her intoxication increased. And to the class of men with whom she consorted her great attraction, as she was well aware, lay in the circumstance that with her virginal countenance and her air of ideal purity was coupled the most monstrous perversity ever displayed by any shameless woman. Despite her innocent blue eyes and lily-like candour, she would give rein, particularly when she was drunk, to the most diabolical of fancies.

Duvillard let her drink on, but she guessed his thoughts, like she guessed those of the others, and simply smiled while concocting impossible stories and descanting fantastically in the language of the gutter. And seeing her there in her dazzling gown fit for a queenly virgin, and hearing her pour forth the vilest words, they thought her most wonderfully droll. However, when she had drunk as much champagne as she cared for and was half crazy, a novel idea suddenly occurred to her.