As Prada suggested, Pierre was acquainted with the story. The Boccaneras had been obliged to sell a sumptuous villa which a cardinal of their family had built at Frascati in accordance with the plans of Giacomo della Porta, during the latter part of the sixteenth century: a regal summer-residence it had been, finely wooded, with groves and basins and cascades, and in particular a famous terrace projecting like a cape above the Roman Campagna whose expanse stretches from the Sabine mountains to the Mediterranean sands. Through the division of the property, Benedetta had inherited from her mother some very extensive vineyards below Frascati, and these she had brought as dowry to Prada at the very moment when the building mania was extending from Rome into the provinces. And thereupon Prada had conceived the idea of erecting on the spot a number of middle-class villas like those which litter the suburbs of Paris. Few purchasers, however, had come forward, the financial crash had supervened, and he was now with difficulty liquidating this unlucky business, having indemnified his wife at the time of their separation.
“And then,” he continued, addressing Pierre, “one can come and go as one likes with a carriage, whereas, on taking the train, one is at the mercy of the time table. This morning, for instance, I have appointments with contractors, experts, and lawyers, and I have no notion how long they will keep me. It’s a wonderful country, isn’t it? And we are quite right to be proud of it in Rome. Although I may have some worries just now, I can never set foot here without my heart beating with delight.”
A circumstance which he did not mention, was that his amica, Lisbeth Kauffmann, had spent the summer in one of the newly erected villas, where she had installed her studio and had been visited by all the foreign colony, which tolerated her irregular position on account of her gay spirits and artistic talent. Indeed, people had even ended by accepting the outcome of her connection with Prada, and a fortnight previously she had returned to Rome, and there given birth to a son—an event which had again revived all the scandalous tittle-tattle respecting Benedetta’s divorce suit. And Prada’s attachment to Frascati doubtless sprang from the recollection of the happy hours he had spent there, and the joyful pride with which the birth of the boy inspired him.
Pierre, for his part, felt ill at ease in the young Count’s presence, for he had an instinctive hatred of money-mongers and men of prey. Nevertheless, he desired to respond to his amiability, and so inquired after his father, old Orlando, the hero of the Liberation.
“Oh!” replied Prada, “excepting for his legs he’s in wonderfully good health. He’ll live a hundred years. Poor father! I should so much have liked to install him in one of these little houses, last summer. But I could not get him to consent; he’s determined not to leave Rome; he’s afraid, perhaps, that it might be taken away from him during his absence.” Then the young Count burst into a laugh, quite merry at the thought of jeering at the heroic but no longer fashionable age of independence. And afterwards he said, “My father was speaking of you again only yesterday, Monsieur l’Abbe. He is astonished that he has not seen you lately.”
This distressed Pierre, for he had begun to regard Orlando with respectful affection. Since his first visit, he had twice called on the old hero, but the latter had refused to broach the subject of Rome so long as his young friend should not have seen, felt, and understood everything. There would be time for a talk later on, said he, when they were both in a position to formulate their conclusions.
“Pray tell Count Orlando,” responded Pierre, “that I have not forgotten him, and that, if I have deferred a fresh visit, it is because I desire to satisfy him. However, I certainly will not leave Rome without going to tell him how deeply his kind greeting has touched me.”
Whilst talking, the two men slowly followed the ascending road past the newly erected villas, several of which were not yet finished. And when Prada learned that the priest had come to call on Cardinal Sanguinetti, he again laughed, with the laugh of a good-natured wolf, showing his white fangs. “True,” he exclaimed, “the Cardinal has been here since the Pope has been laid up. Ah! you’ll find him in a pretty fever.”
“Why?”
“Why, because there’s bad news about the Holy Father this morning. When I left Rome it was rumoured that he had spent a fearful night.”