The Three Cities Trilogy: Rome, Complete

by Émile Zola

The priest did not reply, but, growling out vague imprecations, placed the basket on the table, where he raised the leaves and artistically rearranged the fruit so as to fill up the void. Then, the harm having been repaired as far as was possible, he at last calmed down.

It was now time for them to resume their journey, for the sun was sinking towards the horizon, and night would soon fall. Thus the Count ended by getting impatient. “Well, and those eggs?” he called.

Then, as the woman did not return, he went to seek her. He entered the stable, and afterwards the cart-house, but she was neither here nor there. Next he went towards the rear of the osteria in order to look in the sheds. But all at once an unexpected spectacle made him stop short. The little black hen was lying on the ground, dead, killed as by lightning. She showed no sign of hurt; there was nothing but a little streamlet of violet blood still trickling from her beak. Prada was at first merely astonished. He stooped and touched the hen. She was still warm and soft like a rag. Doubtless some apoplectic stroke had killed her. But immediately afterwards he became fearfully pale; the truth appeared to him, and turned him as cold as ice. In a moment he conjured up everything: Leo XIII attacked by illness, Santobono hurrying to Cardinal Sanguinetti for tidings, and then starting for Rome to present a basket of figs to Cardinal Boccanera. And Prada also remembered the conversation in the carriage: the possibility of the Pope’s demise, the candidates for the tiara, the legendary stories of poison which still fostered terror in and around the Vatican; and he once more saw the priest, with his little basket on his knees, lavishing paternal attention on it, and he saw the little black hen pecking at the fruit and fleeing with a fig on her beak. And now that little black hen lay there, suddenly struck down, dead!

His conviction was immediate and absolute. But he did not have time to decide what course he should take, for a voice behind him exclaimed: “Why, it’s the little hen; what’s the matter with her?”

The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

Prada, who shuddered as if he himself were the culprit, answered him with a lie, a lie which he did not premeditate, but to which he was impelled by a sort of instinct. “But she’s dead,” he said.... “Just fancy, there was a fight. At the moment when I got here that other hen, which you see yonder, sprang upon this one to get the fig, which she was still holding, and with a thrust of the beak split her head open.... The blood’s flowing, as you can see yourself.”

Why did he say these things? He himself was astonished at them whilst he went on inventing them. Was it then that he wished to remain master of the situation, keep the abominable secret entirely to himself, in order that he might afterwards act in accordance with his own desires? Certainly his feelings partook of shame and embarrassment in presence of that foreigner, whilst his personal inclination for violence set some admiration amidst the revolt of his conscience, and a covert desire arose within him to examine the matter from the standpoint of his interests before he came to a decision. But, on the other hand, he claimed to be a man of integrity, and would assuredly not allow people to be poisoned.

Pierre, who was compassionately inclined towards all creation, looked at the hen with the emotion which he always felt at the sudden severance of life. However, he at once accepted Prada’s story. “Ah! those fowls!” said he. “They treat one another with an idiotic ferocity which even men can scarcely equal. I kept fowls at home at one time, and one of the hens no sooner hurt her leg than all the others, on seeing the blood oozing, would flock round and peck at the limb till they stripped it to the bone.”

Prada, however, did not listen, but at once went off; and it so happened that the woman was, on her side, looking for him in order to hand him four eggs which, after a deal of searching, she had discovered in odd corners about the house. The Count made haste to pay for them, and called to Pierre, who was lingering behind: “We must look sharp! We sha’n’t reach Rome now until it is quite dark.”

They found Santobono quietly waiting in the carriage, where he had again installed himself on the bracket with his spine resting against the box-seat and his long legs drawn back under him, and he again had the little basket of figs on his knees, and clasped it with his big knotty hands as though it were something fragile and rare which the slightest jolting might damage. His cassock showed like a huge blot, and in his coarse ashen face, that of a peasant yet near to the wild soil and but slightly polished by a few years of theological studies, his eyes alone seemed to live, glowing with the dark flame of a devouring passion. On seeing him seated there in such composure Prada could not restrain a slight shudder. Then, as soon as the victoria was again rolling along the road, he exclaimed: “Well, Abbe, that glass of wine will guarantee us against the malaria. The Pope would soon be cured if he could imitate our example.”