They lost Narcisse somehow or other, and on reaching the desired recess found themselves but two, Pierre and the Count. The orchestra, installed on a little platform at the far end of the gallery, had just finished the waltz, and the dancers, with an air of giddy rapture, were slowly walking through the crowd when a fresh arrival caused every head to turn. Donna Serafina, arrayed in a robe of purple silk as if she had worn the colours of her brother the Cardinal, was making a royal entry on the arm of Consistorial-Advocate Morano. And never before had she laced herself so tightly, never had her waist looked so slim and girlish; and never had her stern, wrinkled face, which her white hair scarcely softened, expressed such stubborn and victorious domination. A discreet murmur of approval ran round, a murmur of public relief as it were, for all Roman society had condemned the unworthy conduct of Morano in severing a connection of thirty years to which the drawing-rooms had grown as accustomed as if it had been a legal marriage. The rupture had lasted for two months, to the great scandal of Rome where the cult of long and faithful affections still abides. And so the reconciliation touched every heart and was regarded as one of the happiest consequences of the victory which the Boccaneras had that day gained in the affair of Benedetta’s marriage. Morano repentant and Donna Serafina reappearing on his arm, nothing could have been more satisfactory; love had conquered, decorum was preserved and good order re-established.
But there was a deeper sensation as soon as Benedetta and Dario were seen to enter, side by side, behind the others. This tranquil indifference for the ordinary forms of propriety, on the very day when the marriage with Prada had been annulled, this victory of love, confessed and celebrated before one and all, seemed so charming in its audacity, so full of the bravery of youth and hope, that the pair were at once forgiven amidst a murmur of universal admiration. And as in the case of Celia and Attilio, all hearts flew to them, to their radiant beauty, to the wondrous happiness that made their faces so resplendent. Dario, still pale after his long convalescence, somewhat slight and delicate of build, with the fine clear eyes of a big child, and the dark curly beard of a young god, bore himself with a light pride, in which all the old princely blood of the Boccaneras could be traced. And Benedetta, she so white under her casque of jetty hair, she so calm and so sensible, wore her lovely smile, that smile so seldom seen on her face but which was irresistibly fascinating, transfiguring her, imparting the charm of a flower to her somewhat full mouth, and filling the infinite of her dark and fathomless eyes with a radiance as of heaven. And in this gay return of youth and happiness, an exquisite instinct had prompted her to put on a white gown, a plain girlish gown which symbolised her maidenhood, which told that she had remained through all a pure untarnished lily for the husband of her choice. And nothing of her form was to be seen, not a glimpse of bosom or shoulder. It was as if the impenetrable, redoubtable mystery of love, the sovereign beauty of woman slumbered there, all powerful, but veiled with white. Again, not a jewel appeared on her fingers or in her ears. There was simply a necklace falling about her corsage, but a necklace fit for royalty, the famous pearl necklace of the Boccaneras, which she had inherited from her mother, and which was known to all Rome—pearls of fabulous size cast negligently about her neck, and sufficing, simply as she was gowned, to make her queen of all.
“Oh!” murmured Pierre in ecstasy, “how happy and how beautiful she is!”
But he at once regretted that he had expressed his thoughts aloud, for beside him he heard a low plaint, an involuntary growl which reminded him of the Count’s presence. However, Prada promptly stifled this cry of returning anguish, and found strength enough to affect a brutish gaiety: “The devil!” said he, “they have plenty of impudence. I hope we shall see them married and bedded at once!” Then regretting this coarse jest which had been prompted by the revolt of passion, he sought to appear indifferent: “She looks very nice this evening,” he said; “she has the finest shoulders in the world, you know, and its a real success for her to hide them and yet appear more beautiful than ever.”
He went on speaking, contriving to assume an easy tone, and giving various little particulars about the Countess as he still obstinately called the young woman. However, he had drawn rather further into the recess, for fear, no doubt, that people might remark his pallor, and the painful twitch which contracted his mouth. He was in no state to fight, to show himself gay and insolent in presence of the joy which the lovers so openly and naively expressed. And he was glad of the respite which the arrival of the King and Queen at this moment offered him. “Ah! here are their Majesties!” he exclaimed, turning towards the window. “Look at the scramble in the street!”
Although the windows were closed, a tumult could be heard rising from the footways. And Pierre on looking down saw, by the light of the electric lamps, a sea of human heads pour over the road and encompass the carriages. He had several times already seen the King during the latter’s daily drives to the grounds of the Villa Borghese, whither he came like any private gentleman—unguarded, unescorted, with merely an aide-de-camp accompanying him in his victoria. At other times he drove a light phaeton with only a footman in black livery to attend him. And on one occasion Pierre had seen him with the Queen, the pair of them seated side by side like worthy middle-class folks driving abroad for pleasure. And, as the royal couple went by, the busy people in the streets and the promenaders in the public gardens contented themselves with wafting them an affectionate wave of the hand, the most expansive simply approaching to smile at them, and no one importuning them with acclamations. Pierre, who harboured the traditional idea of kings closely guarded and passing processionally with all the accompaniment of military pomp, was therefore greatly surprised and touched by the amiable bonhomie of this royal pair, who went wherever they listed in full security amidst the smiling affection of their people. Everybody, moreover, had told him of the King’s kindliness and simplicity, his desire for peace, and his passion for sport, solitude, and the open air, which, amidst the worries of power, must often have made him dream of a life of freedom far from the imperious duties of royalty for which he seemed unfitted.* But the Queen was yet more tenderly loved. So naturally and serenely virtuous that she alone remained ignorant of the scandals of Rome, she was also a woman of great culture and great refinement, conversant with every field of literature, and very happy in being so intelligent, so superior to those around her—a pre-eminence which she realised and which she was fond of showing, but in the most natural and most graceful of ways.
* King Humbert inherited these tastes from his father Victor
Emanuel, who was likewise a great sportsman and had a perfect
horror of court life, pageantry, and the exigencies of
politics.—Trans.
Like Pierre, Prada had remained with his face to the window, and suddenly pointing to the crowd he said: “Now that they have seen the Queen they will go to bed well pleased. And there isn’t a single police agent there, I’m sure. Ah! to be loved, to be loved!” Plainly enough his distress of spirit was coming back, and so, turning towards the gallery again, he tried to play the jester. “Attention, my dear Abbe, we mustn’t miss their Majesties’ entry. That will be the finest part of the fete!”
A few minutes went by, and then, in the very midst of a polka, the orchestra suddenly ceased playing. But a moment afterwards, with all the blare of its brass instruments, it struck up the Royal March. The dancers fled in confusion, the centre of the gallery was cleared, and the King and Queen entered, escorted by the Prince and Princess Buongiovanni, who had received them at the foot of the staircase. The King was in ordinary evening dress, while the Queen wore a robe of straw-coloured satin, covered with superb white lace; and under the diadem of brilliants which encircled her beautiful fair hair, she looked still young, with a fresh and rounded face, whose expression was all amiability, gentleness, and wit. The music was still sounding with the enthusiastic violence of welcome. Behind her father and mother, Celia appeared amidst the press of people who were following to see the sight; and then came Attilio, the Saccos, and various relatives and official personages. And, pending the termination of the Royal March, only salutations, glances, and smiles were exchanged amidst the sonorous music and dazzling light; whilst all the guests crowded around on tip-toe, with outstretched necks and glittering eyes—a rising tide of heads and shoulders, flashing with the fires of precious stones.
At last the march ended and the presentations began. Their Majesties were already acquainted with Celia, and congratulated her with quite affectionate kindliness. However, Sacco, both as minister and father, was particularly desirous of presenting his son Attilio. He bent his supple spine, and summoned to his lips the fine words which were appropriate, in such wise that he contrived to make the young man bow to the King in the capacity of a lieutenant in his Majesty’s army, whilst his homage as a handsome young man, so passionately loved by his betrothed was reserved for Queen Margherita. Again did their Majesties show themselves very gracious, even towards the Signora Sacco who, ever modest and prudent, had remained in the background. And then occurred an incident that was destined to give rise to endless gossip. Catching sight of Benedetta, whom Count Prada had presented to her after his marriage, the Queen, who greatly admired her beauty and charm of manner, addressed her a smile in such wise that the young woman was compelled to approach. A conversation of some minutes’ duration ensued, and the Contessina was favoured with some extremely amiable expressions which were perfectly audible to all around. Most certainly the Queen was ignorant of the event of the day, the dissolution of Benedetta’s marriage with Prada, and her coming union with Dario so publicly announced at this gala, which now seemed to have been given to celebrate a double betrothal. Nevertheless that conversation caused a deep impression; the guests talked of nothing but the compliments which Benedetta had received from the most virtuous and intelligent of queens, and her triumph was increased by it all, she became yet more beautiful and more victorious amidst the happiness she felt at being at last able to bestow herself on the spouse of her choice, that happiness which made her look so radiant.