The Three Cities Trilogy: Rome, Volume 1

by Émile Zola

Then he explained that considerable deference was shown to Cardinal Boccanera's high birth, and that his colleagues often met at his residence, when, as happened to be the case that morning, any grave affair presented itself, requiring an interview apart from the usual official meetings. Cardinal Sanguinetti, he added, was the son of a petty medical man of Viterbo. "No, no," he concluded, "their Eminences are not at all intimate. It is difficult for men to agree when they have neither the same ideas nor the same character, especially too when they are in each other's way."

Don Vigilio spoke these last words in a lower tone, as if talking to himself and still retaining his sharp smile. But Pierre scarcely listened, absorbed as he was in his own worries. "Perhaps they have met to discuss some affair connected with the Index?" said he.

Don Vigilio must have known the object of the meeting. However, he merely replied that, if the Index had been in question, the meeting would have taken place at the residence of the Prefect of that Congregation. Thereupon Pierre, yielding to his impatience, was obliged to put a straight question. "You know of my affair—the affair of my book," he said. "Well, as his Eminence is a member of the Congregation, and all the documents pass through your hands, you might be able to give me some useful information. I know nothing as yet and am so anxious to know!"

At this Don Vigilio relapsed into scared disquietude. He stammered, saying that he had not seen any documents, which was true. "Nothing has yet reached us," he added; "I assure you I know nothing."

Then, as the other persisted, he signed to him to keep quiet, and again turned to his writing, glancing furtively towards the second ante-room as if he believed that Abbe Paparelli was listening. He had certainly said too much, he thought, and he made himself very small, crouching over the table, and melting, fading away in his dim corner.

Pierre again fell into a reverie, a prey to all the mystery which enveloped him—the sleepy, antique sadness of his surroundings. Long minutes went by; it was nearly eleven when the sound of a door opening and a buzz of voices roused him. Then he bowed respectfully to Cardinal Sanguinetti, who went off accompanied by another cardinal, a very thin and tall man, with a grey, bony, ascetic face. Neither of them, however, seemed even to see the petty foreign priest who bent low as they went by. They were chatting aloud in familiar fashion.

"Yes! the wind is falling; it is warmer than yesterday."

"We shall certainly have the sirocco to-morrow."

Then solemn silence again fell on the large, dim room. Don Vigilio was still writing, but his pen made no noise as it travelled over the stiff yellow paper. However, the faint tinkle of a cracked bell was suddenly heard, and Abbe Paparelli, after hastening into the throne-room for a moment, returned to summon Pierre, whom he announced in a restrained voice: "Monsieur l'Abbe Pierre Froment."

The spacious throne-room was like the other apartments, a virtual ruin. Under the fine ceiling of carved and gilded wood-work, the red wall-hangings of /brocatelle/, with a large palm pattern, were falling into tatters. A few holes had been patched, but long wear had streaked the dark purple of the silk—once of dazzling magnificence—with pale hues. The curiosity of the room was its old throne, an arm-chair upholstered in red silk, on which the Holy Father had sat when visiting Cardinal Pio's grand-uncle. This chair was surmounted by a canopy, likewise of red silk, under which hung the portrait of the reigning Pope. And, according to custom, the chair was turned towards the wall, to show that none might sit on it. The other furniture of the apartment was made up of sofas, arm-chairs, and chairs, with a marvellous Louis Quatorze table of gilded wood, having a top of mosaic-work representing the rape of Europa.