"Oh!" replied Prada, "excepting for his legs he's in wonderfully good health. He'll live a hundred years. Poor father! I should so much have liked to install him in one of these little houses, last summer. But I could not get him to consent; he's determined not to leave Rome; he's afraid, perhaps, that it might be taken away from him during his absence." Then the young Count burst into a laugh, quite merry at the thought of jeering at the heroic but no longer fashionable age of independence. And afterwards he said, "My father was speaking of you again only yesterday, Monsieur l'Abbe. He is astonished that he has not seen you lately."
This distressed Pierre, for he had begun to regard Orlando with respectful affection. Since his first visit, he had twice called on the old hero, but the latter had refused to broach the subject of Rome so long as his young friend should not have seen, felt, and understood everything. There would be time for a talk later on, said he, when they were both in a position to formulate their conclusions.
"Pray tell Count Orlando," responded Pierre, "that I have not forgotten him, and that, if I have deferred a fresh visit, it is because I desire to satisfy him. However, I certainly will not leave Rome without going to tell him how deeply his kind greeting has touched me."
Whilst talking, the two men slowly followed the ascending road past the newly erected villas, several of which were not yet finished. And when Prada learned that the priest had come to call on Cardinal Sanguinetti, he again laughed, with the laugh of a good-natured wolf, showing his white fangs. "True," he exclaimed, "the Cardinal has been here since the Pope has been laid up. Ah! you'll find him in a pretty fever."
"Why?"
"Why, because there's bad news about the Holy Father this morning. When I left Rome it was rumoured that he had spent a fearful night."
So speaking, Prada halted at a bend of the road, not far from an antique chapel, a little church of solitary, mournful grace of aspect, on the verge of an olive grove. Beside it stood a ruinous building, the old parsonage, no doubt, whence there suddenly emerged a tall, knotty priest with coarse and earthy face, who, after roughly locking the door, went off in the direction of the town.
"Ah!" resumed the Count in a tone of raillery, "that fellow's heart also must be beating violently; he's surely gone to your Cardinal in search of news."
Pierre had looked at the priest. "I know him," he replied; "I saw him, I remember, on the day after my arrival at Cardinal Boccanera's. He brought the Cardinal a basket of figs and asked him for a certificate in favour of his young brother, who had been sent to prison for some deed of violence—a knife thrust if I recollect rightly. However, the Cardinal absolutely refused him the certificate."
"It's the same man," said Prada, "you may depend on it. He was often at the Villa Boccanera formerly; for his young brother was gardener there. But he's now the client, the creature of Cardinal Sanguinetti. Santobono his name is, and he's a curious character, such as you wouldn't find in France, I fancy. He lives all alone in that falling hovel, and officiates at that old chapel of St. Mary in the Fields, where people don't go to hear mass three times in a year. Yes, it's a perfect sinecure, which with its stipend of a thousand francs enables him to live there like a peasant philosopher, cultivating the somewhat extensive garden whose big walls you see yonder."