The next day, when Laurent had given the canvas the last touch, all the family assembled to go into raptures over the striking resemblance. The portrait was vile, a dirty grey colour with large violescent patches. Laurent could not use even the brightest colours, without making them dull and muddy. In spite of himself he had exaggerated the wan complexion of his model, and the countenance of Camille resembled the greenish visage of a person who had met death by drowning. The grimacing drawing threw the features into convulsions, thus rendering the sinister resemblance all the more striking. But Camille was delighted; he declared that he had the appearance of a person of distinction on the canvas.
When he had thoroughly admired his own face, he declared he would go and fetch a couple of bottles of champagne. Madame Raquin went down to the shop, and the artist was alone with Thérèse.
The young woman had remained seated, gazing vaguely in front of her. Laurent hesitated. He examined the portrait, and played with his brushes. There was not much time to lose. Camille might come back, and the opportunity would perhaps not occur again. The painter abruptly turned round, and found himself face to face with Thérèse.
They contemplated one another for a few seconds. Then, with a violent movement, Laurent bent down, and pressed the young woman to him. Throwing back her head he crushed her mouth beneath his lips. She made a savage, angry effort at revolt, and, then all at once gave in. They exchanged not a word. The act was silent and brutal.
CHAPTER VII
The two sweethearts from the commencement found their intrigue necessary, inevitable and quite natural. At their first interview they conversed familiarly, kissing one another without embarrassment, and without a blush, as if their intimacy had dated back several years. They lived quite at ease in their new situation, with a tranquillity and an independence that were perfect.
They made their appointments. Thérèse being unable to go out, it was arranged that Laurent should come to see her. In a clear, firm voice the young woman explained to him the plan she had conceived. The interview would take place in the nuptial chamber. The sweetheart would pass by the passage which ran into the arcade, and Thérèse would open the door on the staircase to him. During this time, Camille would be at his office, and Madame Raquin below, in the shop. This was a daring arrangement that ought to succeed.
Laurent accepted. There was a sort of brutal temerity in his prudence, the temerity of a man with big fists. Choosing a pretext, he obtained permission from his chief to absent himself for a couple of hours, and hastened to the Arcade of the Pont Neuf.
The dealer in imitation jewelry was seated just opposite the door of the passage, and he had to wait until she was busy, until some young work-girl came to purchase a ring or a brooch made of brass. Then, rapidly entering the passage, he ascended the narrow, dark staircase, leaning against the walls which were clammy with damp. He stumbled against the stone steps, and each time he did so, he felt a red-hot iron piercing his chest. A door opened, and on the threshold, in the midst of a gleam of white light he perceived Thérèse, who closing the door after him, threw her arms about his neck.
Laurent was astonished to find his sweetheart handsome. He had never seen her before as she appeared to him then. Thérèse, supple and strong, pressed him in her arms, flinging her head backward, while on her visage coursed ardent rays of light and passionate smiles. This face seemed as if transfigured, with its moist lips and sparkling eyes. It now had a fond caressing look. It radiated. She was beautiful with the strong beauty born of passionate abandon.