“It is his portrait,” she murmured in an undertone, as if the face of her late husband could hear her.
“His portrait?” repeated Laurent, whose hair stood on end.
“Yes, you know, the painting you did,” she replied. “My aunt was to have removed it to her room. No doubt she forgot to take it down.”
“Really; his portrait,” said he.
The murderer had some difficulty in recognising the canvas. In his trouble he forgot that it was he who had drawn those clashing strokes, who had spread on those dirty tints that now terrified him. Terror made him see the picture as it was, vile, wretchedly put together, muddy, displaying the grimacing face of a corpse on a black ground. His own work astonished and crushed him by its atrocious ugliness; particularly the two eyes which seemed floating in soft, yellowish orbits, reminding him exactly of the decomposed eyes of the drowned man at the Morgue. For a moment, he remained breathless, thinking Thérèse was telling an untruth to allay his fears. Then he distinguished the frame, and little by little became calm.
“Go and take it down,” said he in a very low tone to the young woman.
“Oh! no, I’m afraid,” she answered with a shiver.
Laurent began to tremble again. At moments the frame of the picture disappeared, and he only saw the two white eyes giving him a long, steady look.
“I beg you to go and unhook it,” said he, beseeching his companion.
“No, no,” she replied.