'The prizes are to be given at the Brothers' school this afternoon,' said Madame Duparque by way of explanation. 'Father Philibin, who is very fond of our good Brothers, has consented to preside at the distribution. He must have just arrived from Valmarie; and I suppose he is going with Brother Fulgence to settle certain details.'
But she was interrupted, for Marc had at last made his appearance, carrying his little Louise, who, scarcely two years old, hung about his neck, playing and laughing blissfully.
'Puff, puff, puff!' the young man exclaimed as he entered the room. 'Here we are in the railway train. One can't come quicker than by train, eh?'
Shorter than his three brothers, Mathieu, Luc, and Jean, Marc Froment had a longer and a thinner face, with the lofty towerlike family forehead greatly developed. But his particular characteristics were his spell-working eyes and voice, soft clear eyes which dived into one's soul, and an engaging conquering voice which won both mind and heart. Though he wore moustaches and a slight beard, one could see his rather large, firm, and kindly mouth. Like all the sons of Pierre and Marie Froment,[1] he had learned a manual calling, that of a lithographer, and, securing his bachelor's degree when seventeen years of age, he had come to Beaumont to complete his apprenticeship with the Papon-Laroches, the great firm which supplied maps and diagrams to almost every school in France. It was at this time that his passion for teaching declared itself, impelling him to enter the Training College of Beaumont, which he had quitted in his twentieth year as an assistant-master, provided with a superior certificate. Having subsequently secured that of Teaching Capacity, he was, when seven and twenty, about to be appointed schoolmaster at Jonville when he married Geneviève Berthereau, thanks to his good friend Salvan, who introduced him to the ladies, and who was moved by the sight of the love which drew the young folk together. And now, for three years past, Marc and Geneviève, though their means were scanty and they experienced all manner of pecuniary straits and administrative worries, had been leading a delightful life of love in their secluded village, which numbered barely eight hundred souls.
[1] See M. Zola's novel, Paris.
But the happy laughter of the father and the little girl did not dissipate the displeasure of Madame Duparque. 'That railway train is not worth the coaches of my youth,' said she. 'Come, let us breakfast quickly, we shall never get there.'
She had seated herself, and was already pouring some milk into the cups. While Geneviève placed little Louise's baby-chair between herself and her mother, in order to keep a good watch over the child, Marc, who was in a conciliatory mood, tried to secure the old lady's forgiveness.
'Yes, I have delayed you, eh?' he said. 'But it is your fault, grandmother; one sleeps too soundly in your house, it is so very quiet.'
Madame Duparque, who was hurrying over her breakfast, with her nose in her cup, did not condescend to answer. But a pale smile appeared on the face of Madame Berthereau after she had directed a long look at Geneviève, who seemed so happy between her husband and her child. And in a low voice, as if speaking involuntarily, the younger widow murmured, glancing slowly around her: 'Yes, very quiet, so quiet that one cannot even feel that one is living.'