'You shall die! you shall die!' he howled, growing wilder and wilder.

But he had no weapon, and vainly sought one whilst he turned around the room. He had not even a knife, nothing save his two hands, with which he might strangle her. But what use would that be? What could he do afterwards—could he go on living? A knife would have sufficed for both.

She noticed his embarrassment, his momentary hesitation, and triumphed over it, believing that he would not again find the strength to kill her. And in her turn she began to laugh, with an insulting, taunting laugh. 'What! are you not going to kill me, then? Kill me, kill me then, if you dare!'

All at once, in the midst of his wild search for a weapon, Delaveau perceived the sheet-iron stove in which such a brasier of coke was glowing that the room seemed to be on fire already. And utter dementia suddenly fell upon him, making him forget everything, even his daughter, his fondly-loved Nise, who was sleeping quietly in her little room on the second floor. Oh! to make an end of himself, annihilate himself amidst the fury which transported him! Oh! to carry that hateful woman to death, so that she might never more belong to another, and to go with her, and cease to live, since life was now utterly soiled and wrecked!

She was still urging him on with her lashing, contemptuous laugh. 'Kill me! kill me then! You are far too big a coward to kill me!'

Yes, yes, thought Delaveau, to burn everything, to destroy everything by a huge conflagration in which the house and the works alike would disappear, a conflagration which would complete the work of ruin carried on by that woman and her idiotic lover! Ay, a gigantic pyre on which he himself would crumble into ashes with that malignant, devouring, lying creature, amidst the smoking ruins of that old social system which he had so foolishly striven to defend.

With a terrible kick, he overturned the stove, and projected it into the middle of the room, ever repeating his shout: 'You shall die! you shall die!'

The red-hot coke spread in a red sheet over the carpet. Some pieces rolled as far as one of the windows. Then the cretonne curtains were the first to flare, whilst the carpet began to burn. The furniture and the walls flamed in their turn with overwhelming rapidity. The house, which was but lightly built, caught fire and sparkled and smoked like a mere wisp of hay.

The rest was frightful. Fernande had sprung up in her terror, gathering the silk and lace of her skirts together, and seeking a passage where the flames would not reach them. She darted towards the door opening into the hall, feeling certain that she would have time to escape, that she would reach the garden at a bound. But in front of the door she found Delaveau, whose arms barred her passage. He looked so terrible that she then sprang towards the other door, the one which opened into the wooden gallery, connecting the room with the works. But it was too late to flee in that direction—the gallery was burning, acting like a chimney, in which the draught urged on the flames with such rapidity that the adjacent business offices were already threatened. So she came back to the centre of the room, stumbling, blinded, suffocating, full of rage and terror at feeling that her dress was flaring, that her uncoiled hair also was catching fire, covering her bare shoulders with burns. And in a frightful voice she gasped:

'I will not die! I will not die! let me pass, murderer! murderer!'