STUDYING LINE AND COLOUR IN RUSSIA
ROM Hungary we continued our quest of line and colour of folk costume into Russia.
Strangely enough, Russia throws off the imperial yoke of autocracy, declaring for democratic principles, at the very moment we undertake to put into words the vivid picturesqueness resulting largely from the causes of this astounding revolution. Have you been in Russia? Have you seen with your own eyes any phase of the violent contrasts which at last have caused the worm to turn? Our object being to study national characteristics as expressed in folk costume, folk song, folk dance, traditional customs and fêtes, we consulted students of these subjects, whom we chanced to meet in London, Paris, Vienna and Buda Pest, with the result that we turned our faces toward southern or "Little" Russia, as the part least affected by cosmopolitan influences.
Kiev was our headquarters, and it is well to say at once that we found what we sought,—ample opportunity to observe the genuine Russian, the sturdy, dogged, plodding son of toil, who, more than any other European peasant seems a part of the soil, which in sullen persistency he tills. We knew already the Russians of Petrograd and Moscow; one meets them in Paris, London, Vienna, at German and Austrian Cures and on the Riviera. They are everywhere and always distinctive by reason of their Slav temperament; a magnetic race quality which is Asiatic in its essence. We recognise it, we are stirred by it, we are drawn to it in their literature, their music, their painting and in the Russian people themselves. The quality is an integral part of Russian nature; polishing merely increases its attraction as with a gem. One instance of this is the folk melody as treated by Tschaikowsky compared with its simple form as sung or danced by the peasant.
PLATE XXVIII
A skating costume worn by Miss Weld of Boston, holder of the Woman's Figure Skating Championship.
This photograph was taken in New York on March 23, 1917, when amateurs contested for the cup and Miss Weld won—this time over the men.
The costume of wine-coloured velvet trimmed with mole-skin, a small close toque to match, was one of the most appropriate and attractive models of 1916-1917.
