We recall our experience in Hungary. Having been advised to visit the peasant villages and farms lying out on the püstas (plains of southern Hungary) if we would see the veritable national costumes, we set out hopefully with letters of introduction from a minister of education in Buda Pest, directed to mayors of Magyar villages. One of these planned a visit to a local celebrity, a Magyar farmer, very old, very prosperous, rich in herds of horses, sheep and magnificent Hungarian oxen, large, white and with almost straight, spreading horns, like the oxen of the ancient Greeks. There we met a man of the old school, nearly eighty, who had never in his life slept under cover, his duty being to guard his flocks and herds by night as well as day, though he had amassed what was for his station in life, a great fortune. He had never been seen in anything but the national costume, the same as worn in his part of the world for several hundred years. And so we went to see him in his home. We were all expectation! You can imagine our disappointment, when, upon arrival, we found our host awaiting us, painfully attired in the ordinary dark cloth coat and trousers of the modern farmer the world over. He had donned the ugly things in our honour, taking an hour to make his toilet, as we were secretly informed by one of the household. We tell this to show how one must persevere in the pursuit of artistic data. This was the same occasion cited in The Art of Interior Decoration, when the highly decorative peasant tableware was banished by the women in the house, to make room, again in our honour, for plain white ironstone china.
The feeling for line accredited to the French woman is equally the birthright of the Magyar—woman and man. One sees it in the dash of the court beauty who can carry off a mass of jewels, barbaric in splendour, where the average European or American would feel a Christmas tree in the same. And no man in Europe wears his uniform as the Hungarian officer of hussars does; the astrachan-trimmed short coat, slung over one shoulder, cap trimmed with fur, on the side of his head, and skin-tight trousers inside of faultless, spurred boots reaching to the knees. One can go so far as to say there is something decorative in the very temperament of Hungarian women, a fiery abandon, which makes line in a subtle way quite apart from the line of costume. This quality is also possessed by the Spanish woman, and developed to a remarkable degree in the professional Spanish dancer. The Gipsy woman has it too,—she brought it with her from Asia, as the Magyar's forebears did.
Speaking of the Magyar, nothing so perfectly expresses the national temperament as the czardas—that peasant dance which begins with calm, stately repression, and ends in a mad ecstasy of expression, the rapid crescendo, the whirl, ending when the man seizes his partner and flings her high in the air. Watch the flash of the eyes and see that this is genuine temperament, not acting, but something inherent in the blood. The crude colour of the national costume and the sharp contrast in the folk music are equally expressions of national character, the various art expressions of which open up countless enticing vistas.
The contemplation of some of these vistas leads one to the conclusion that woman decorative is so, either as an artist (that is, in the mastery of the science of line and colour, more or less under the control of passing fashion), or in the abandonment to the impulse of an untutored, unconscious, child of nature. Both can be beautiful; the art which is so great as to conceal conscious effort by creating the illusion of spontaneity, and the natural unconscious grace of the human being in youth or in the primitive state.
CHAPTER XXVII
MODELS
N historical interest attaches to fashions in women's costuming, which the practised eye is quick to distinguish, but not always that of the novice. Of course the most casual and indifferent of mortals recognises the fact when woman's hat follows the lines of the French officer's cap, or her coat reproduces the Cossack's, with even a feint at his cartridge belt; but such echoes of the war are too obvious to call for comment.