Just outside the Abbey is "Broad Sanctuary," a name that commemorates the ancient rights and powers of the Church in protecting political victims and offenders from the law. "The Sanctuary" in mediæval times was a square Norman tower, containing two cruciform chapels. Here did that poor Queen, Elizabeth Woodville, wife of Edward IV., seek refuge twice in her chequered and mournful life; it was on her second flight hither, in her widowhood, with all her children, that her "young princes, her tender babes," were dragged away from her to be murdered by their uncle Richard of Gloucester.

In all the structural alterations of Westminster, its old Hall, built first by William Rufus, has always mercifully been spared. It was rebuilt by Richard II., who, if only for the sake of such a monument, deserved of England a better fate. This Hall, which has witnessed more tragedies than any other London building, is principally famous to us as the place of trial of Charles Stuart, King of England, 1649. Here, with the Naseby banners hanging over his devoted head, Charles showed all that firmness and control that had been so conspicuously lacking in his life. Macaulay describes it thus:

"The great hall of William Rufus, the hall which had resounded with acclamations at the inauguration of thirty kings: the hall which had witnessed the just sentence of Bacon and the just absolution of Somers; the hall where the eloquence of Strafford had for a moment awed and melted a victorious party inflamed with just resentment; the hall where Charles had confronted the High Court of Justice with the placid courage which has half redeemed his fame."

Victoria Tower, Westminster.

On Barry's enormous Gothic Palace, the Houses of Parliament—Time, which does so much both for the London buildings and for the opinions of Londoners,—will no doubt deliver a favourable verdict. Its florid richness of decoration, unsuitable, say art critics, to such a vast building, was in imitation of Henry VIIth's miniature chapel opposite. Its galleries and courts, almost as labyrinthine as the Westminster cloisters, require a long experience to understand and unravel. That Sir Charles Barry has worked Westminster Hall into his newer palace, entitles him to our respect and gratitude. In Old Palace Yard is that equestrian statue of Richard Cœur-de-Lion that has won so much praise from the greatest of our art critics. Old Palace Yard, too, has tragic associations. It was here that the Gunpowder Plot conspirators suffered death, opposite the windows of the house through which they had carried the gunpowder into the cellars under the threatened House of Lords. Here, also, Sir Walter Raleigh was executed in 1618.

Where Barry's palace now stands, stood, from Anglo Saxon days till Henry VIIIth's time, the ancient palace of the English Kings; and here, in their very palace, grew the germ of those Houses of Parliament that gradually came to occupy the entire area. The Star Chamber, the Painted Chamber, St. Stephen's Chapel, were parts of the old building made familiar to us by association and by history. The ancient palace was safe under the shadow of its abbey and sanctuary, till Henry VIII., who defied both abbey and sanctuary, actuated by Naboth-like desire of possession, moved his residence to Whitehall. The Whitehall palace is gone as if it had never been; but that of Westminster has risen again from its ashes. This sacred spot was the place of our national liberties; here arose the "Mother of Parliaments."

Not long ago, I was standing on Westminster Bridge in the gathering twilight; the misty glory of a fine winter's day. The river edges were sprinkled with a thin crust of silvery frost, the dulled red sun was going down in splendour behind a galaxy of pink and golden clouds. Insensibly, as the light faded, and the mist rose, I seemed to lose the forms of the modern buildings, and to see, as though in a vision, the "Thorney Isle" of the dim past. The huge "New Palace of Westminster," with its towers, was for a moment blotted out.... There, in the dreamy haze of sunset, I saw

—"the Minster's outlined mass
Rise dim from the morass."