Oh, how I want you to talk to, for it is such an age since we really cleared our minds, and you know, Emmy, we do belong to one another upon some Geometrical System of fitness that we cannot well describe. But my idea is that by finding out what E.E. is to P.C., you ascertain what P.C. is to E.E.
CHAPTER VII
1829-1830
Miss Eden to Miss Villiers.
GROSVENOR STREET,
Wednesday, April 30, 1829.
MY DEAREST THERESA, How attentive we become! frightened to death at the idea of our near meeting, unwritten to. I had your Genoa letter three days ago in the leisure of Hertingfordbury, where I have been Eastering, and could have drawn my pen on the spot to answer you, but I thought some account of the Hatfield theatricals would be more diverting than pure unadulterated daffy-down-dillies and cowslips.
Robert and I went over to Hatfield on Monday, which was the second repetition of the plays. The 1st piece was “A Short Reign and a Merry One.” Mr. Phipps the chief performer; Major Keppel very good; Mr. Egerton clever; Lady Salisbury[316] herself I thought the only failure, but some people thought her good, so perhaps I was wrong. Her dress disfigured her cruelly. The second piece was Lady Dacre’s[317] translation of the Demoiselle à Marier—Lady F. Leveson, Mr. J. Wortley, and Lord Morpeth the chief performers; and it was impossible anything could be better. In short, the whole evening has lowered my opinion of the merits of professional people. I went expecting to find the gentlefolk all tolerable sticks on the stage, awkward, affected, and only helped through by an indulgent public, and I found I never had laughed more heartily, never had seen a play really well acted in all its parts before, and Lady S., whom I thought the least good, was only objectionable because she was like an actress on the real stage.
The singing was very pretty. Mr. Ashley, Mr. Wortley, Lady F. Leveson, all distinguished themselves. At the end of the first piece, each of the performers sung a little Vaudeville couplet, and Jim Wortley sang one to the Duke of Wellington, who was in the front row, that was applauded and encored and applauded again, and chorussed with great noise. It turned, of course, upon the hero, and the double crown, and Waterloo, and Catholics—you know how these little ideas are dished up—and there was an allusion to the same effect in the Prologue, also received with acclamations.
The Duke seemed very much pleased, and told George to-day the Hatfield theatricals were very good fun. I meant to make this only a half sheet, but I see a long stream of untouched topics before me, so here goes for a whole sheet and rather wider lines.... The Duke of Norfolk, Lord Clifford, etc., took their seats yesterday under the auspices of Julia, Lady Petre,[318] and the two Miss Petres,[319] and several Catholic ladies grouped under our Protestant throne, and now there only remains to come the introduction of that wily dangerous Edward Petre into the House of Commons, and England must fall, and then, I suppose, will get up and begin again.
Poor Lady Derby[320] died on Friday after great sufferings and a very long illness. I think it ought to be made a rule of the odd game we all play here that those old attached couples should die together Baucis and Philemon fashion. The survivor’s is a hard place.
Fanny has been, of course, very anxious and unhappy, and has certainly lost a very kind friend in Lady Derby, who expressed the greatest affection for her to the last.