Olivia.
[CLOSING SCENES IN THE HOUSE.]
Pen Pictures of Blackburn, Garfield, Randall and Lesser Lights.
Washington, March 4, 1879.
Prematurely crushed before half its most important work was performed, the Forty-fifth Congress of the Republic has ceased to live. Its dying hours were marked with scenes of almost riotous confusion, reminding one of the exciting days of “secession times.” It is only when each great party has almost an equal number of combatants in Congress that a hand-to-hand battle takes place. To-day the men whose official career ends for the present in the House were the plumed leaders in the strife. In the advance were Foster, of Ohio; Hale, of Maine, and Durham, of Kentucky. To carry out the idea of death, flowers were strewn on the desks of departing members, and on the Speaker’s table uprose a pyramid of floral display. Not an inch of standing room was visible. Even the diplomatic gallery contained an unusual number of distinguished foreigners, whilst that part designated as the “members’ gallery” was crowded to overflowing by the acknowledged leaders of the social world of which politics make a part.
On a front seat in a central position sat Mrs. Hayes, conspicuous among the silks, satins, and jewels by the extreme simplicity of her attire, and lack of pretense of all that pertains to the aristocratic and exclusive. The black and shining bands of hair were drawn close and prim over the temples; the large gray eyes that warm or freeze according to the will of the possessor; the shapely nose above the cold, thin lips, finished with a chin indicating strong points of character.
Neither natural roses nor lilies bloomed in the members’ gallery. Pale, sallow, worn-out women came who proved to the lookers-on what a season of fashionable folly will do if permitted to have matters all its own way. But if real charms were lacking, the loss was fortunately replaced by wise manipulations of the artist. The “paint pots” so vividly pictured by the immortal Vicar of Wakefield had been brought into requisition, and Olivia and Sophie were as well prepared as ever for future triumph and conquest. The diplomatic gallery was graced by the Brazilian, Dutch and Belgian ministers, and by the pretty, modest daughters of Secretary Evarts, attended by some of the handsome officials of the Department of State. Asia was represented, half and half, in the person of Yung Wing, of China, and his American wife. What a strange pair? He is a genuine son of the land of Confucius, with his dark-yellow skin drawn smooth like parchment over his dome of thought; inky hair and eyes, and with all those strange hieroglyphic signs of mystery stamped on his sphinx-like face. Madame Yung Wing seemed to enjoy her novel position, as she leaned back enveloped in all that finery which her marital captivity enables her to wear. This mingling of the races, to the honor of American women let it be recorded, happens only in the extremes of our social system—among the very highest or lowest—the diamonds or the dirt.